CV
Curriculum Vitae • Artist Statement • Bio • Press Dossier • Press Photos
CURRICULUM VITAE
Exhibitions • Performances • Publications • Academics • Publications • Projects • Grants • Commissions • Awards •
Appointments • Presentations • Residencies • Artist Talks & Studio Visits • Reviews and Critiques • Websites
• EXHIBITIONS
• EXHIBITIONS – SOLO
2023
• “Swan Song” and “Sampler”, Produit Rien, Montréal (with Marla Hlady)
2022
• “Swan Song” and “Sampler”, Christie Contemporary, Toronto (with Marla Hlady)
2021
• “Press Record”, Oboro, Montréal
2020
• “Swan Song” and “Sampler”, Christie Contemporary, Toronto (with Marla Hlady)
• “Record Release (books)” for Feedback 5: Global Warning – Marshall McLuhan and the Arts, Museum für Kommunikation, Frankfurt
• “Crackers” for Audiosphere, Museo Nacional Centro de Arte Reina Sofía, Madrid (curator Francisco López)
• “Record Release” for Psychedelic Oshawa, Robert McLaughlin Gallery, Oshawa, Ontario (curator Gary Genosko)
2019
• “Swan Song” (with Marla Hlady), Glenfiddich Artist in Residence Exhibition, Dufftown, Scotland
2018
• “Single” for Record Shop, MKG127, Toronto
• “Record Release 12-inch” for Feedback 2: Marshall McLuhan and the Arts, EIGEN+ART LAB, Berlin (curators Baruch Gottlieb & Marie-José Sondeijker)
2017
• “S.U.M. (Standing Under Mis)”, Katzman Contemporary, Toronto (four person residency and exhibition project)
• “Strike” with Marla Hlady for SFX 2017 at ArKO Museum, Seoul, South Korea
• “4 feet and 33 inches (ellipse) (ellipsis)” for Silence Pressure Noise, McIntosh Gallery, London (curator Vicky Moufawad-Paul)
• “Record Release 12-inch” for Feedback: Marshall McLuhan and the Arts, West Den Haag, The Hague (curators Baruch Gottlieb & Marie-José Sondeijker)
• “Millefeuille 2” for Extratextual, Contemporary Calgary (curators Lisa Baldiserra and Joanne Bristol)
• “Stéréophonie” for Interstices, Daïmôn, Gatineau, Québec
• “Micro” at Museum London, London, Ontario (curator Cassandra Getty)
2016
• “Press Play”, Zalucky Contemporary, Toronto
• “Record Release 7-inch” for Sweet Gongs Vibrating, San Diego Art Institute (curator Amanda Cachia)
• “Nothing Here But Everything” for À la recherche (in search for practice-based research), Open Studio, Toronto (curator Barbara Balfour)
2015
• “Count and Strike and Spin”, Errant Bodies Sound Art Space, Berlin (with Marla Hlady)
• “Microhole” and “I”, for underpressure, Trinity Square Video, Toronto (curator DisplayCult)
• “Millionaire (machine)” with Marla Hlady, for Exhibiting Sound, dc3 art projects, Edmonton
2014
• “4 feet and 33 inches (neon)” for 5 over 4, Cambridge Galleries, Cambridge, Ontario
2013
• “Flipper A” for the echo Art Fair, Central Library, Buffalo, New York
• “Flipper A” for the Audio Out Listening Post, Art Gallery of York University (AGYU), Toronto
• “Record Release” for The String and the Mirror, Lisa Cooley Gallery, New York (curators Lawrence Kumpf and Justin Luke)
• “Publick” for Drift, Robert McLaughlin Gallery, Oshawa, Ontario (curator Micah Donovan)
2011
• “The Rise and Fall of the Sounds and Silences from Mars” for Electric Eclectics, Meaford (curator Gordon Monahan)
2010
• “Disco Sec”, Optica, Montréal
• “4 feet and 33 inches” for Non-cochlear Sound, Diapason Gallery, Brooklyn (curator Seth Kim-Cohen)
2009
• “Fixation”, CCS Bard Galleries and Hessel Museum of Art at Bard College (curator Mireille Bourgeois)
• “Disco Sec”, Axe-Néo 7, Gatineau
• “Disco Fall” for Massive Party, Art Gallery of Ontario, Toronto (curator Ben Portis)
2008
• “Disco Sec”, Mercer Union, Toronto
• “Sale Sono”, La Galerie d’art contemporain de Besançon, France
• “Crackers” and “South Winds” for C’est arrivé près de chez vous, Musée national des beaux-arts, Québec (curator Nathalie de Blois)
• “Auditorium” for Manif d’Art 4, Québec (curator Lisanne Nadeau)
2007
• “Hit Parade” and “Poker” for SFX Seoul 2007, TOTAL Museum of Contemporary Art, Seoul (curator Baruch Gottlieb)
• “La et Le” for the AVATAR. Digital Poetry exhibition at the Poesie Festival Berlin 2007, Podewils Palais, Berlin
2006
• “Trou”, retrospective, Galerie de l’UQAM, Montréal (curator Nicole Gingras)
• “Interval”, Media+Space, Yonsei University, Seoul (curator Baruch Gottlieb)
• “Interval” for CUT, Leonard & Bina Ellen Art Gallery, Concordia, Montréal (curator Michèle Thériault)
• “The Disgust Display Series” for Excess, Z33, Hasselt, Belgium (curator Pieter van Bogaert)
2005
• “Interval” for Sound Bytes, Anna Leonowens Gallery, NSCAD, Halifax (curator Robert Bean & Peter Dykhuis)
• “The Spit Museum” for Murmur, Rotterdam Film Festival, Tent, Rotterdam (curator Edwin Carels)
• “Poker” for Between You & Me, Arthouse at the Jones Center, Austin (curator Anthony Huberman)
2004
• “Poker” for Between You & Me, Sculpture Center, New York (curator Anthony Huberman)
• “The Spit Museum” for FEEL – Tactile Media Art, Z33, Hasselt, Belgium (curator Pieter van Bogaert)
1999
• “Hole in the Head” for Fear, San Francisco Art Commission Gallery (curator Paula Levine)
1998
• “Blisters in the Sun”, Eye Level Gallery, Halifax
• “Blisters in the Sun”, Forest City Gallery, London, Ontario
• “Crackers” for Incredibly Small Sounds, Gallery 101, Ottawa (curator Emmanuel Madam)
1997
• “the roof of the mouth is anxious” for Staging Light Spaces, Art Lab, Western University, London, Ontario (curators Jennifer Papararo and Kim Simon)
1994
• “Voices inside my head and other works” for A.A.R.T., Irish Museum of Modern Art, Dublin
1993
• “Hole in the Head” for SAFE, Mediagalleria, Turku, Finland
1992
• “Le Temps Compas” for Le retour de voyage, Galerie Articule, Montréal
• “Open Your Mouth And Let The Air Out” for Radio Rethink, Walter Phillips Gallery, Banff Center for the Arts (curators Daina Augaitis and Dan Lander)
• PERFORMANCES
• PERFORMANCES – SOLO
• 2020 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• solo, Upper, London, Ontario [cancelled due to covid]
• 2019 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• solo, Tranzac, Toronto
• “Mixer” for Borderline Festival, Onassis Cultural Centre, Athens
• “Mixer” for Apologies in Advance series, South London Gallery, London, UK
• “Record Release” for Irtijal Festival, Beirut
• “Record Release”, De Player, Rotterdam
• “Duo for Solo” with Marla Hlady and Jade Rude, Christie Contemporary, Toronto
• “___r__________” with Marla Hlady, Electric Perfume, Toronto
• 2018 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• “Malebouche” for Verbal Matters, PEER Gallery, London, UK
• “__p__________” with Marla Hlady, Experimental Intermedia, New York City
• “_m____________” with Marla Hlady, Array Music, Toronto
• 2017 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• “Hit Parade” for SFX 2017 at ArKO Museum, Seoul, South Korea
• “Hit Parade” and “Fingering” at the Lausanne Film & Music Festival (LUFF), Lausanne
• “Testing, Testing” (with Megan Arnold) at Museum London, London, Ontario
• “Record Release 7-inch” at Zalucky Contemporary, Toronto
• “I_____________” with Marla Hlady, Ftarri, Tokyo, Japan
• 2016 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• “Powerpointless” for UMBRAL festival, MACO, Oaxaca City, Mexico
• “Record Release 7-inch” at Tranzac, Toronto
• “Mixer” for 21C Festival, Royal Conservatory, co-presented by MOCA, Toronto
• “Mixer” solo version for vs. Interpretation Festival, Prague
• “Je ne Je” for Labex Arts/Université Paris 8, at Salle Principale, Paris
• “Fingering” for Cave 12, Geneva, Switzerland
• 2015 • • • • • • • • • • • •
• “Hit Parade” for Cagliari Capitale della cultura, Cagliari, Italy
• “Record Release 7-inch” for Tuning Speculation III conference, Array Music, Toronto
• “Present” for Doing Sounding Exchanging Thinking: The Auditory Experience of the Social, Foundation B.a.d, Rotterdam, Holland
• “Hit” for Nuit Blanche, Toronto (curator Christine Shaw)
• “Hit Parade” for 25fps festival, Zagreb, Croatia
• “Record Release 7-inch” for INTERsection, Yonge & Dundas Square, Toronto
• “Record Release 7-inch” for null point 7: Decay/Reverberate, Silo City, Buffalo
• “Record Release 7-inch” for Suoni Festival, Sala Rossa, Montreal, Quebec
• “Mixer” for Ontario Scene, Carleton University Art Gallery, Ottawa
• “Strike and Hit” with Marla Hlady, Art Gallery of Ontario, Toronto
• 2014 • • • • • • • • • • • •
• “Hit Parade”, “Mixer, “Talk Artist” for Liquid Architecture Festival Contemporary, Melbourne
• “Hit Parade” for Hangar Bicocca, Milan
• “War Machine” and “Fingering”, Manif – Québec City Bienniale, Québec
2013
• “Procès verbaux” for Grand Happening Avatar #20 in celebration of the 20th anniversary of Avatar, Méduse, Québec
• “Hit (duo)” for AKA Sounds Like Audio Art Festival, Saskatoon
• “Hit Parade” for CAFKA Contemporary Art Forum, Kitchener
• “Mixer” for Zilver Flotations, Beursschouwburg, Brussels
• “Hit Parade” for Rotterdam Film Festival, Rotterdam
• “undo” with Alexandre St-Onge, Music Gallery, Toronto
2012
• “4 feet and 33 inches” for The Future of Cage: Credo Conference, University of Toronto
• “Hit Parade” for 7a*11d International Festival of Performance Art, Toronto
• “Hit Parade” for A survey is a process of listening, presented by Arika at the Whitney Biennial, New York
• “Hit Maker” for FAAS 3, Sudbury, Ontario
2011
• “Hit Maker” for Trama Festival, Porto
• “Hit Parade” for Trama Festival, Porto
• “Hit Parade” for Send+Receive, Winnipeg
• “Fingering” for Espace [Im]Média, Sherbrooke, Québec]
2010
• “Fingering” for Electric Eclectics, Funny Farm, Meaford, Ontario
• “4 feet and 33 inches”, “Evasion”, “Snow Storm”, “Hit Parade”, Dundee Contemporary Arts, Dundee, Scotland
2009
• “4 feet and 33 inches”, Music Gallery, Toronto
• “4 feet and 33 inches”, Sala Rossa, Montréal
• “Hit Parade” for Musée national des beaux-arts, Québec (curator Nathalie de Blois)
• “Escape Songs” w/Veda Hille (and Don Kerr, Martin Arnold and Eric Chenaux), Music Gallery, Toronto
• “Escape Songs” w/Veda Hille (and Alexandre St-Onge, Geneviève Heistek, Jonathan Parant), Sala Rossa, Montréal
• “Sous Video” as part of the squintpress evening for the Suoni per il Popolo, Casa del Popolo, Montréal
• “Hiss Tracts” w/Karl Lemieux, Jonathan Parant, Dave Bryant, Images Festival, Toronto
2008
• “Hit Parade” for Suoni per il Popolo, Sala Rossa, Montréal
• “Compteur” for La Collection 2, La Chambre Blanche, Québec
2007
• “Hit Parade” for SFX Seoul 2007 at SongWon Art Center, Seoul, South Korea
• w/l’Oreille à Vincent (Martin Tétreault, Michel F. Côté, Jean-Pierre Gauthier and Diane Labrosse) for the Musée d’Art Contemporain de Montréal
2006
• “Pass” for The Idea of North, Anna Leonowens Gallery, Halifax
2005
• “Pass” for Tone Deaf, Modern Fuel Gallery, Kingston
• “Fingering” for Revue Esse launch, Galerie Clark, Montréal
• “untitled” for Artengine New Music Series, Mercury Lounge, Ottawa
• “Pass” for The Idea of North, Kling & Bang Gallery, Rejkyavik (curator Rhonda Corvese)
• “Pass” for Murmur, Rotterdam Film Festival, Tent, Rotterdam (curator Edwin Carels)
2004
• “Fingering” for Algorythmes, Sala Rossa, Montréal
• “Pass” for FEEL – Tactile Media Art, Z33, Hasselt, Belgium
• “Back, back, back and forth, forth, forth” for Mois Multi, Méduse, Québec
• w/Sam Shalabi, Sala Rossa, Montréal
2003
• “Back, back, back and forth, forth, forth” for garage fest, Stralsund, Germany
• “I” for Noises from the Dark, Studio 303, Montréal
• “I” for Disturbances, Gottenborg Museum, Copenhagen
• “Lake of Coherence” for Mutek, Ex-Centris, Montréal
• “South Winds”, “Poker”, “Evasion”, “Snow Storm”, Gallery 101, Ottawa (curator Jen Budney)
2002
• “South Winds” for VOLT-AA (06), O Patro Vys, Montréal (curator Eric Mattson)
• “Poker”, “Evasion”, “Snow Storm” for Send & Receive, Winnipeg (curator Steve Bates)
• “Poker”, “Evasion”, “Snow Storm” for Beyond Music Sound Festival V, Los Angeles
• “Poker”, “Evasion”, “Release Into Motion” for Sonic Square, Kaaitheater, Brussels
• “Poker” and “Evasion” for Le Dimanche des curiosités, Manège de Reims, France (curator Rachid Ouramdane)
• “undo” with Alexandre St-Onge, Galerie l’Oeil de Poisson, Québec
• w/Tim Hecker and Fly Pan Am, Fonderie Darling, Montréal
• w/Klaxon Gueule and Martin Tétreault, Sala Rossa, Montréal
• “Sings Reign Rebuilder” as part of Set Fire To Flames for Victoriaville Festival
2001
• “Poker” for Tentacules 01, Sala Rossa, Montréal
• “Crackers” for Statuts, Ménagerie de Verre, Paris, France (curator Boris Charmatz)
• “Crackers” for Ultrazone .01, Théâtre La Chapelle, Montréal
• “Crackers” and “Evasion” for Festival de la Bâtie, Geneva (curator Vincent Barras)
• “disclosure” with Alexandre St-Onge for FADO, Toronto (curator Paul Couillard)
2000
• “Fingering” at Apex Art, New York City (curator Kenneth Goldsmith)
• “étranglement” with Alexandre St-Onge and Eric Letourneau, Casa del Popolo, Montréal
• “undo” with Alexandre St-Onge, Experimental Intermedia, New York (curator Phil Niblock)
• “undo” with Alexandre St-Onge, No Music Festival, London, Ontario
1999
• “undo” with Alexandre St-Onge, a room under the stairs, Montréal
• w/Chris Cutler and Joane Hétu, Théâtre La Chapelle, Montréal
• “The Death of Analogies” solo CD, Austin, Texas: ND
• “Crackers #4” for Site of Sound: of Architecture and the Ear, Los Angeles: Errant Bodies Press
• “Ni (ni vu, ni su, ni connu)” for Le son des images CD, Québec: Galerie VU
1998
• “GridPublicLock” for Resonance FM, London, England
• “Separate” with Kim Dawn, Gallery Oboro, Montréal
• “undo” with Alexandre St-Onge, Musiques Fragiles, Montréal
• “undo” with Alexandre St-Onge, Théâtre La Chapelle, Montréal
• “undo” with Alexandre St-Onge, Hotel2Tango, Montréal
• “L’Oreille à Vincent” collaboration with M. Tétreault, M. F. Côté, JP Gauthier and D. Labrosse for Radio Canada’s Le Navire Night and Maison de la Culture Mont-Royal
• “vex” with Michel F. Côté, Gregory Whitehead and Louis Ouellet, Québec: Avatar/Ohm éditions
• “un jeudi téléphonique” for DO(K)S no. 3 SON, Ajaccio, France
1997
• “Les Stations Delacroix” with Jocelyn Robert, 3e symposium en arts visuels, Amos, Québec
• “Recipes” with Avatar collective for Hybrid Workspace at Documenta (Recycling the Future, part 1)
• “Le Grand Résonateur” with Avatar collective for Ars Electronica ‘97 (Recycling the Future, part 2)
1996
• “Hole in the Head” solo CD, Québec: Avatar/Ohm éditions
• “SeptSixUn-QuatreHuitQuatreUn” for Rappel CD, Québec: Avatar/Ohm éditions
• “je me te parle” for Radio Folie Culture CD, Québec: Avatar/Ohm éditions
• “HeadHole” for Voice Tears CD, New York: Theater Drama Review
• “On délire le monde” for Fête de l’Art CD, Québec: Inter/Le Lieu
• “Solar Plexus” for Radius #3 CD, Nonsequitor Foundation
1995
• “Horizontal Radio” for Ars Electronica ‘95 in Linz, Austria
• “Vex” with Kim Dawn and Lukas Pearse, Khyber Arts Center, Halifax
1994
• “O” with Bruce Gottlieb and Maryse Poulin for La Quinzaine de la Voix, Tangente, Montréal
• “SA”, “NS”, “TI”, “TR”, and “ES” for Ding Dong Deluxe CD, Québec: Avatar/Ohm éditions
1993
• “Sniff” with Gerard Leckey for Journées ELECTRO-RADIO Days (CEC), Radio Canada
• “Metal God” with Tammy Forsythe, Espace Tangente, Montréal
• “The Transpiring Transistor series” for Radio Rethink CD, Banff: Walter Phillips Gallery
• “7 x C.R.T.C. = delay” for Self-censorship cassette, Halifax: Center for Art Tapes
• “Gripping each muscle” for Radio as folk art cassette, Halifax: Center for Art Tapes
• “Muscle Soléaire” (excerpt) for Musicworks #55 CD, Toronto
1992
• “Voices Inside My Head”, “Rewind Memory” and “Mic Liberation” for Musicworks #53 CD
1991
• “One Watt of Truth” for Radio Art International cassette, AMARC, Montréal
1989
• “Mobile Art Terrorism Unit”, Bunker, Montréal
1986
• “Urban Hep”, Gallery 101, Ottawa
• “Urban Hep”, Foufounes Electriques, Montreal
PUBLICATIONS
2021
• “Record Release”, 2xCD, Ambiances Magnétiques, Montréal
• “Visite au musée”, digital-only release, w/l’Oreille à Vincent (Martin Tétreault, Michel F. Côté, Jean-Pierre Gauthier and Diane Labrosse). Featuring concert at the Musée d’Art Contemporain de Montréal recorded in 2007, published by UFO.Ω
2019
• “Record Release 7-inch (Power Plant)”, 7-inch vinyl, Squint Press
• “Record Release 7-inch (Fin)”, 7-inch vinyl, Squint Press
2018
• “Record Release 7-inch (Huronia)”, 7-inch vinyl, Squint Press
• “Record Release 7-inch (Scratch)”, 7-inch vinyl, Squint Press
2017
• “Flipper ABC”, printed matter and digital audio files, Squint Press
2016
• “Flipper B”, Textsound, No.21, issue on Sonic Materialities, ed. Michael Nardone
• “Record Release 7-inch (Silo City)”, Squint Press
• “Record Release 7-inch (Avatar)”, Squint Press
• “Record Release 7-inch (Kunstradio)”, Squint Press
• “Greatest Hits” CD, Squint Press
2014
• “Microfall Ditty” for The Ear is a Brain/The Brain is and Ear LP, Liquid Architecture, Melbourne, Australia
2012
• “Fingering” 2xLP, Squint Press
2010
• “Auditorium” excerpts for CD accompanying Performance Research, volume 15/3, theme: On Listening
2009
• “Langue Distance” for Mercersound 09 CD, Mercer Union, Toronto (curator Dave Dyment)
• “Disco Sec”, monograph with audio CD, Avatar, Québec City
2008
• “Hole in the Hole 1” and “Hole in the Hole 2” for Inter No. 98 Espaces Sonores, Québec
• “Éternuité”, in group compilation La Chute, Québec: Avatar/Ohm éditions
• “Rimmed Record” LP, Squint Press
• “des tournages” CD with Alexandre St-Onge (as undo), Squint Press
2006
• “P” and “Crackers” for Music Overheard CD, ICA Boston (curator Kenneth Goldsmith)
• “Trou” DVD, Galerie de l’UQAM, Montréal
2005
• “Sound Voice Perform” solo CD, Copenhagen: Ground Fault Recordings/Errant Bodies Press
• “Vegass” for Six Silk Purses CD by Fortner Anderson, Montréal: Wired on Words
2004
• “I” for noli me legere – to Maurice Blanchot CD, Lisbon: sirr-ecords
• “Escape Songs” CD with Veda Hille, Squint Press, Montréal
2003
• “South Winds” solo CD, Montreal: Oral
• “telegraphs in negative/mouths trapped in static” 2xCD as member of Set Fire To Flames
2002
• “Fado”, “Life is Long Xavier Leroi” for Syntax Error CD, Cabinet No.7, Brooklyn
• “Document 3” by choreographer Lynda Gaudreau, sound design with Alexandre St-Onge.
Performed in Paris, Venice (Biennale 2003), Zagreb, Ljubljana, Montreal, Munich, Colmar, Belo Horizonte
2001
• “Crackers” solo CD, Chicago: Locust
• “Quieting” solo CD, Montréal: Alien 8 Recordings
• “headturn.wet.needle.stare” for Nonplace Souvenirs, Barcelona: Ooze Bâp Records
• “Evasion” for Writing Aloud, Los Angeles: Errant Bodies Press
• “Vito Acconci’s undoing” CD as undo, Squint.Press, Montréal
• “Sings Reign Rebuilder” CD as member of Set Fire To Flames, Alien8/Fat Cat/P-Vine
• “Present Absence” performance by Claude Wampler, sound design, for kaaitheaterstudios, Brussels
• “Metal God” CDROM, Contact Zones: The Art of CD-Rom, Nickle Arts Museum, Calgary
• “Metal God” CDROM, Images du Nouveau Monde, Québec
2000
• undo full CD with Alexandre St-Onge, Squint.Press, Montréal
• “Ghostworld” dance film by Alex Geng, sound design. Honorable mention for sound design at Damah Festival, Seattle
• “Metal God” CDROM, Montreal International Festival of New Cinema and New Media, Montréal
1999
• “The Death of Analogies” solo CD, Austin, Texas: ND
• “Crackers #4” for Site of Sound: of Architecture and the Ear, Los Angeles: Errant Bodies Press
• “Ni (ni vu, ni su, ni connu)” for Le son des images CD, Québec: Galerie VU
• “You do not live in this world alone” CD by Veda Hille
• “Theater of the Ears” play by Allen S. Weiss on Valère Novarina, part of sound design, premiered at Cal Arts
1998
• “vex” with Michel F. Côté, Gregory Whitehead and Louis Ouellet, Québec: Avatar/Ohm éditions
• “un jeudi téléphonique” for DO(K)S no. 3 SON, Ajaccio, France
1997
• “Moments of Impact” documentary film by Julia Loktev, part of sound design
• “Eres + 21” CD by Pierre-André Arcand, co-producer
1996
• “Hole in the Head” solo CD, Québec: Avatar/Ohm éditions
• “SeptSixUn-QuatreHuitQuatreUn” for Rappel CD, Québec: Avatar/Ohm éditions
• “je me te parle” for Radio Folie Culture CD, Québec: Avatar/Ohm éditions
• “HeadHole” for Voice Tears CD, New York: Theater Drama Review
• “On délire le monde” for Fête de l’Art CD, Québec: Inter/Le Lieu
• “Solar Plexus” for Radius #3 CD, Nonsequitor Foundation
1994
• “SA”, “NS”, “TI”, “TR”, and “ES” for Ding Dong Deluxe CD, Québec: Avatar/Ohm éditions
1993
• “The Transpiring Transistor series” for Radio Rethink CD, Banff: Walter Phillips Gallery
• “7 x C.R.T.C. = delay” for Self-censorship cassette, Halifax: Center for Art Tapes
• “Gripping each muscle” for Radio as folk art cassette, Halifax: Center for Art Tapes
• “Muscle Soléaire” (excerpt) for Musicworks #55 CD, Toronto
1992
• “Voices Inside My Head”, “Rewind Memory” and “Mic Liberation” for Musicworks #53 CD
• “Newsflash from the Past: Tuning in to a New History of the Americas” 52 capsules for AMARC (The World Association of Community Radio Broadcasters)
• “Squeaky Clean” a radio soap opera for CKUT-FM, 15 episodes
1991
• “One Watt of Truth” for Radio Art International cassette, AMARC, Montréal
• “Radio Art Internacional” 2 cassette set for AMARC
1990
• “Identification” an international cassette compilation
• “Turning Point” a 13 part series of half hour radio programs investigating new technologies, the series was broadcast on 14 campus/community stations across Canada
1989
• “Foutre en l’air/Perpendicular Types of Motion” an international cassette compilation
ACADEMICS
Education
1998 – 2007
• PhD in Performance Studies, Tisch School of the Arts, New York University, Supervisor: Allen S. Weiss. Dissertation title: “Sonic Somatic: Performances of the Unsound Body”, Awarded the Michael Kirby Memorial Prize for Distinguished Doctoral Dissertation
1994 – 1996
• Master of Fine Arts, Nova Scotia College of Art & Design, Halifax, Nova Scotia
1987 – 1991
• Bachelor of Arts, Concordia University, Montréal, Québec
Teaching, Research, & Supervisory Positions
2021
• Second Reader and Examiner for Anahí Gonzalez Teran
• Second Reader and Examiner for Jérôme Conquy
2020 – 2021
• Supervisor for Tommy Bourque, MFA, Visual Arts, Western University
2019
• Examiner for Kate Carder-Thompson, MFA, Visual Arts, Western University
• Examiner for Claire Bartleman, MA, Visual Arts, Western University
• Examiner for Lydia Santia, MFA, Visual Arts, Western University
2019
• Departmental Examiner, Maryse Larivière, PhD, Visual Arts, Western University
• Grader for PhD Examination, Minor Comp, Visual Arts, Western University
2018 –
• Associate Faculty, Centre for the Study of Theory and Criticism, Western University
• Member, PhD supervisory committee for Magali Babin, Visual Arts, Université du Québec à Montréal (UQAM)
• Member, PhD supervisory committee for Annaliese Pope, Centre for the Study of Theory and Criticism, Western University
2018 – 2020
• Supervisor, Christina Battle, PhD, Visual Arts, Western University
2018
• External Examiner, PhD viva for Kevin Logan, Visual Arts, London College of Communication, University of the Arts London (UAL)
• Second Reader for Graham Macaulay, MFA, Visual Arts, Western University
• Member of MFA defense committee for Claire Bartleman, Visual Arts, Western University
2017 –
• Associate Professor, Department of Visual Arts, Western University
2017 – 2021
• Main Supervisor, Ellen Moffat, PhD, Visual Arts, Western University
2017 – 2018
• Member of MFA defense committee for Xuan Ye, Visual Arts, York University
• Supervisor for Gary Durbano, MFA, Visual Arts, Western University
• Supervisor (with Wyn Geleynse) for Matt Trueman, MFA, Visual Arts, Western University
2017
• Western Examiner, Megan O’Hara, PhD, English Studies, Western University
• Grader for PhD Examination, Minor Comp, Visual Arts, Western University
• Supervisor for Quintin Teszeri, MFA, Visual Arts, Western University
2016 – 2017
• Supervisor, Stephen Mueller, PhD, Visual Arts, Western University (candidate withdrew)
2016
• Grader for PhD Examination, Minor Comp, Visual Arts, Western University
• PhD Examination, Major Comp, Ulises Unda, Visual Arts, Western University
• Second Reader for Jason Stovall, MFA, Visual Arts, Western University
2015 – 2019
• Member, PhD supervisory committee for Ulises Unda, Visual Arts, Western. University
2015
• Grader for PhD Examination, Minor Comp, Visual Arts, Western University
• PhD Examination, Major Comp, Mark Kasumovic, Visual Arts, Western University
• External Examiner for Colin Partch, MA, Visual and Critical Studies, California College of the Arts
• Second Reader for Sherry Czekus, MFA, Visual Arts, Western University
• Member of MFA defense committee for Matt Tarini, Visual Arts, Western University
2014 – 2018
• Member, PhD supervisory committee for Mark Kasumovic, Visual Arts, Western. University
2014 – 2017
• Assistant Professor, Department of Visual Arts, Western University.
• Member, PhD supervisory committee for Stephen Mueller, Visual Arts, Western University
2014
• Grader for PhD Examination, Minor Comp, Visual Arts, Western University
• Second Reader for Gabriella Solti, MFA, Visual Arts, Western University
• Second Reader for Natalie Romano, MA, Visual Arts, Western University
• Member of MA defense committee for Karly McIntosh, Visual Arts, Western University
• Member of MEd defense committee for Trish Osler, Education, Western University
2012 –
• Adjunct Member, Graduate Program in Visual Arts, York University
2012 – 2015
• Member, PhD defense committee for Steph Bernston, Centre for Drama, Theater and Performance Studies, University of Toronto (candidate withdrew)
2012 – 2013
• Member of MVS Curatorial Studies committee for Emily Fitzpatrick, University of Toronto
• Member of MFA defense committee for Nadia Moss, Visual Arts, York University
2011 – 2012
• Member, PhD defense committee for Risa Horowitz, Visual Arts, York University
2010 – 2011
• Member of MVS Curatorial Studies committee for Su-Ying Lee, University of Toronto
2007 – 2008
• Visiting Curator of Contemporary Art, Leonard & Bina Ellen Gallery, Concordia University, Montréal
2006 – 2013
• Lecturer and Director/Curator, Blackwood Gallery, University of Toronto Mississauga
2006
• Member of MFA defense committee for Sunhye Hwang, Concordia University
2005
• Member of MFA defense committee for Shaunna Kennedy, Concordia University
2004
• Sessional Instructor, Performance Studies, Tisch School for the Arts, New York University
2003
• Member of MFA defense committee for Diane Morin, Concordia University
2002 – 2008
• Sessional Instructor, MFA Program, Concordia University, Montréal
2000 – 2001
• Sessional Instructor, Expository Writing Program, New York University
1996
• Sessional Instructor, Studio Division, Nova Scotia College of Art & Design
PUBLICATIONS
2020
• Squint Press, part of the “You-” online event, launch for Vivian Darroch-Lozowski’s book Voice of Hearing with the author, jake moore, Daniela Cascella, Christof Migone, Ann West. Co-presented by the University of Saskatchewan Art Galleries
• Squint Press, online launch event with Simon Brown & Alexandre St-Onge, Marla Hlady, Private Robots (Juliana Pivato and Seb Roberts), Alexandre St-Onge, and Xuan Ye. Hosted by Art Metropole
2019
• Squint Press, table at Edition Toronto, Toronto
• 2018 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• Squint Press, table at VOLUME 1 MTL – L’Art et le livre, Montréal
• Squint Press, table at the Toronto Art Book Fair
• PROJECTS
• 2021 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• “-AND-” 12-hour online event on December 12. Presented by Alt Space Loop (Seoul), Arraymusic (Toronto), Avatar (Québec), CRiSAP (London UK), Errant Bodies Press (Berlin), FADO (Toronto), Radius (Chicago), Resonance Extra (London UK), squint.press (Québec/Toronto), Wave Farm (Acra NY), Western University (London ON), Zone Sound Creative (Taiwan). Featuring With Po-Hao Chi, Béchard Hudon, Erika DeFreitas & Adrian Piper, Different From The One You Are In Now (Mary Walling Blackburn, Allison Cameron, Barbara Campbell, Budhaditya Chattopadhyay, Darren Copeland, Renato Grieco, Michaela Grill, Sarah Hennies, Marla Hlady, Seth KimCohen, Francisco Meirino, Salomé Voegelin), Anna Friz & Jeff Kolar, James Greer & Neil Luck, Byungjun Kwon, Renée Lear, LoVid, Ellen Moffat & Eeva Siivonen, Merlin Nova, Milo Thesiger-Meacham, They are all of them themselves and they repeat it and I hear it (Anna Barham & Irene Revell), undo (Christof Migone & Alexandre St-Onge).
• 2020 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• “Voice of Hearing” by Vivian Darroch-Lozowski. Reprint of 1984 book for Squint Press.
• “YOU-” 12-hour online event on December 12. Presented by Resonance Extra, Wave Farm, ACM Department (UTSC), USask Art Gallleries, Animals of Distinction, Glenfiddich Distillery. Artists featured Steve Bates, Béchard Hudon, Daniela Cascella, Vivian Darroch-Lozowski, Erika DeFreitas, Christopher Dela Cruz, Andrew Ford, Anastasia Freygang, Anna Friz, Dana Gingras, Amy Mihyang Ginther, Marla Hlady, Jeff Kolar, Jen Kutler, Cynthia Ling Lee, Erik Lintumen, jake moore, Merlin Nova, Tot Onyx, Gabriel Saloman, Tiffany Schofield, Erik Slyfield, Sonya Stefan, Milo Thesiger-Meacham, Ann West, Agustina Woodgate, Sadie Woods, Xuan Ye.
• 2016 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• “Mixer” for 21C Festival, The Royal Conservatory, co-presentation with MOCA. Featuring works by: Abbas Akhavan, Ronnie Clarke, Francisco-Fernando Granados, Jessica Karuhanga, Duncan MacDonald, Hazel Meyer, Christof Migone, Stephen Mueller, Lisa Myers, Juliana Pivato, Tazeen Qayyum, Jon Sasaki, Skawennati, Xuan Ye.
2015
• “VOLUMES” anthology for the Blackwood Gallery in partnership with the Art Gallery of Alberta, Justina M. Barnicke Gallery (Hart House, University of Toronto), MacKenzie Art Gallery and SBC Gallery of Contemporary Art, co-editor with Martin Arnold; 144 pages, 113 fullcolour images, 10″ vinyl LP with 15 tracks; featuring 14 writers, 65 artists.
• “Ditto” for Cross Waves Series, New Adventures in Sound Art (NAISA), Toronto. Featuring Pierre-André Arcand, Kim Dawn, Dan Lander, Diane Landry, Micah Lexier, Kelly Mark, Ryan Park, Charles Stankievech, Hildegard Westerkamp.
2013
• “Door to Door (6th edition)” exhibition for Blackwood. Featuring Nathalie Quagliotto and Sandy Plotnikoff.
• “Volume: Hear Here” exhibition for Blackwood and Justina M. Barnicke Gallery. Group exhibition, 19 artists.
2012
• “WOOD TWO” catalog for the Blackwood Gallery, University of Toronto Mississauga. A compendium of the Blackwood’s 2010 programming and beyond.
• “Door to Door (5th edition)” exhibition for Blackwood. Featuring Adam David Brown and Nancy Nowacek.
• “Door to Door (4th edition)” exhibition for Blackwood. Featuring Gina Badger and Tazeen Qayyum.
• “Landscapes Events Reproducted” exhibition for Blackwood. Featuring Seripop (Yannick Desranleau and Chloe Lum)
2011
• “WOOD” catalog for the Blackwood Gallery, University of Toronto Mississauga. A compendium of the Blackwood’s 2009 programming featuring sixty-four artists and writers.
• “Door to Door (3rd edition)” exhibition for Blackwood. Featuring Karen Kraven and John Marriott.
• “Door to Door (2nd edition)” exhibition for Blackwood. Featuring Alexander Irving and Micah Lexier.
• “Door to Door (1st edition)” exhibition for Blackwood. Featuring Camilla Singh and Germaine Koh & Gordon Hicks.
• “Following Following Piece” for the Blackwood Gallery. Featuring Thérèse Mastroiacovo
2010
• “Should I Stay or Should I Go” for Nuit Blanche (Zone C), Toronto. Programming budget for Zone C: $236,000. Featuring ten commissions: Kim Adams, Martin Arnold & Micah Lexier, Davide Balula, Annie Onyi Cheung, Michael Fernandes, Zilvinas Kempinas, Julia Loktev, Sandra Rechico, Jocelyn Robert, Max Streicher; and five open call artists: Olivia Boudreau, France Dubois, Lili Huston-Herterich & Brad Tinmouth, Aubrey Reeves, Chris Shepherd.
• “No Images” event co-presented by the Blackwood Gallery and the Images Festival. Featuring Ryan Driver, Annie MacDonell, Alexis O’Hara & Mary Margaret O’Hara and Alex Snukal.
• “Location!Location!Location!” exhibition for Blackwood Gallery. Featuring Christine Swintak and Don Miller
GRANTS
2016
• Canada Council for the Arts, travel grant for presentations in Prague, Geneva, Paris and The Hague
2014
• Toronto Arts Council, Media Arts, project grant: Record Release 7-inch
• Ontario Arts Council, Media Arts, project grant: Phone Works
• Canada Council for the Arts, travel grant to participate in the Liquid Architecture Festival in Melbourne
• Ontario Arts Council, Exhibition Assistance for 4 feet and 33 inches
2012
• Ontario Arts Council, Exhibition Assistance for The Rise and Fall of the Sounds and Silences from Mars
2011
• Ontario Arts Council, Exhibition Assistance for The Rise and Fall of the Sounds and Silences from Mars
2008
• Canada Council for the Arts, travel grant to attend conferences and present audio piece in Berlin
2007
• Department of Foreign Affairs and International Trade, International Cultural Relations Division, for travel to Seoul, South Korea for SFX SEOUL 2007
• Canada Council for the Arts, travel grant for the Poesie Festival Berlin, Podewils Palais, Berlin
2006
• Canada Council for the Arts, Media Arts, project grant: Interval
2005
• Canada Council for the Arts, Media Arts, project grant: Auditorium
• Conseil des Arts et des Lettres du Québec, curatorial grant: Disquiet
2004
• Conseil des Arts et des Lettres du Québec, Media Arts, project grant: Disco Sec
2003
• Conseil des Arts et des Lettres du Québec, Media Arts, project grant: length
• Canada Council for the Arts, travel grant to perform in Stralsund, Germany
2002
• Canada Council for the Arts, Inter-Arts, travel grant for Beyond Sound Festival, Los Angeles
2001
• Canada Council for the Arts, Inter-Arts, project grant: Broken Breaks
1998
• Canada Council for the Arts, travel grant for participation in Resonance FM, London, England
• Conseil des Arts et des Lettres du Québec, travel grant for Blisters in the Sun
• Canada Council for the Arts, Music Recording Program, as curator for Avatar: publication of Rappel CD
1997
• Fonds pour la Formation de Chercheurs et l’Aide à la Recherche (FCAR Québec), for PhD studies
1996
• Canada Council for the Arts, Media Arts, project grant: Metal God
• Conseil des Arts et des Lettres du Québec, Media Arts, project grant: vex
1992
• Canada Council for the Arts, Media Arts, project grant: Solar Plexus
• Canada Council for the Arts, Media Arts Communications Fund, for travel to Sound Symposium 1992
1991
• Canada Council for the Arts, Media Arts Events, for Radio Contortions at CKUT-FM
COMMISSIONS
2021
• MaerzMusik – Berliner Festspiele (Berlin) for “Interval” (2021 mix) for TIMEPIECE – the Long Now event
2020
• Kunstradio (Vienna) for “Swan Song” (with Marla Hlady) [postponed to Fall 2022 due to covid]
2018
• The Power Plant for “Record Release 7-inch”
2017
• Daïmôn (Gatineau) for “Stéréophonie”
2015
• Kunstradio for “Record Release 7-inch”
2013
• Centre for Art Tapes (Halifax) for “Flipper”
2012
• New Adventures in Sound Art & SOCAN Foundation (Toronto) for “Radio Naked”
2007
• Tate Modern/Resonance FM (London, UK) for “Foursome” a radio program based on Beckett’s Quad
2005
• Fortner Anderson for “Vegass” on the Six Silk Purses CD
2004
• Lynda Gaudreau – Compagnie de Brune (Montreal) for “The Digits of Pi” as part of Time Flies, Tanzquartier, Vienna
2001
• Kunstradio (Vienna) for “hold, still” a radio program and web project
1997
• CBC Radio/Playwright’s Workshop for “Talon” aired on program ArtsTalk
1995
• Radio Canada for “SeptSixUn-QuatreHuitQuatreUn” aired on program Chants Magnétiques
• Avatar/Folie Culture for “Je me te parle” on the Radio Folie Culture CD
1994
• New American Radio and Performing Arts for “The Thing about Bugs” with Gregory Whitehead
1993
• New American Radio and Performing Arts for “Hole in the Head” for New American Radio on NPR
1992
• ACREQ for “Muscle Soléaire” for the 7e Printemps Electroacoustique
AWARDS
2013
• Exhibition Award (as curator) for “Volume: Hear Here”, Ontario Association of Art Galleries (O.A.A.G.)
• Dean’s Merit Award, University of Toronto Mississauga
2012
• Exhibition Award (as curator) for “Seripop: Landscapes Events Reproducted”, Ontario Association of Art Galleries
2009
• Dean’s Merit Award, University of Toronto Mississauga
2007
• Michael Kirby Memorial Prize for Distinguished Doctoral Dissertation, Dept. of Performance Studies, NYU
2002
• Honorable mention for sound design of film “Ghostworld” (dir. Alex Geng), Damah Festival, Seattle
1995
• Joseph Beuys Memorial Scholarship, NSCAD, Halifax, Nova Scotia
• Prix du Public, Intra-University Video Festival, Montréal
1994
• Special Commendation, Prix Futura, Berlin for “The Thing about Bugs”
1993
• Standard Radio Award for Programming Excellence, NCRA for “Squeaky Clean”
1984
• Best Rookie Announcer Award, CKCU-FM Ottawa
APPOINTMENTS
2021-
• Member, Advisory Panel, Centre for Networked Media and Performance (CNMAP), McMaster University
• Peer review, essay for Resonance: The Journal of Sound and Culture
2020
• Jury Member, Create – Media Arts Program, Manitoba Arts Council
• Peer review, essay for Resonance: The Journal of Sound and Culture
• Peer review, essay for Journal of Sonic Studies
• Peer review, essay for Unlikely: Journal for Creative Arts
2019
• Jury Member, Soutien à la relève professorale en recherche-création, Fonds de recherche du Québec – Société et culture (FRQSC)
• External Assessor, Insight Grant, Social Sciences and Humanities Research Council of Canada (SSHRC)
2017-
• Member, Editorial Board, Resonance: The Journal of Sound and Culture, The University of California Press
2017
• Jury Member, New Adventures in Sound Art (NAISA), Toronto International Electroacoustic Symposium
2016
• Jury Member, Ontario Arts Council, Media Artists Mid-Career & Established program
2015-
• Member, Affiliate Member, Hexagram, International Network for Research-Creation in Media Arts, Concordia-UQAM
• Member, External Researcher, Sonic Research Initiative, York University
2015
• Peer review, essay for Emotion, Space and Society Journal, Elsevier
2014-
• Member, Editorial Board, Journal of Curatorial Studies
2014
• Jury Member, Canada Council for the Arts, Grants to Culturally Diverse Curators for Residencies in the Visual Arts and Project Grants for Curators and Critics
2013-2014
• Member, Advisory Board, FoFA Gallery, Concordia University
2013
• Member, Advancement Committee (Sessional Lecturer II), Department of Visual Studies
• Jury Member, Appui aux arts et technologies médiatiques, Fonds de recherche du Québec – Société et culture (FRQSC)
• Jury Member, Programmes de Recherche-création (Appui à la recherche-création, Établissement des nouveaux professeurschercheurs-créateurs, Bourses postdoctorales en recherche-création), Fonds de recherche du Québec – Société et culture
• Peer review, essay for Tacet: Experimental Music Review, École supérieure d’art de Mulhouse
2012-2013
• Member, Joint Sheridan Committee, Department of Visual Studies
2012
• Jury Member, Visual Arts Mississauga, Annual Juried Show
• Jury member, University of Toronto Arts Council, Launch Pad for Emerging Talent in the Arts
• Peer review, essay for Tacet: Experimental Music Review, École supérieure d’art de Mulhouse
2011-2012
• Member, Organizational Committee, The Future of Cage: Credo | John 1912 – 1992 – 2012 Cage Conference
2011-2013
• Member, Workload Policy Committee, Department of Visual Studies
• Member, Mississauga Cultural Resource Partnership, City of Mississauga
2011
• Jury member, Visual Arts Mississauga, Mississauga
• Guest critic, Graduate Exhibitions, University of Western Ontario
• Jury member, International Residency Program, Darling Foundry, Montreal
• Jury member, Canada Council for the Arts, Assistance to Major International Exhibitions, Visual Arts
• Jury member, Culture Division, Public Art for Civic Square, City of Mississauga
• Jury member, Integrated Media Year 4 Awards, Ontario College of Art & Design University
2010-2013
• Member, MVS – Curatorial Committee, University of Toronto
2010
• Jury member, Canada Council for the Arts, Dissemination and Development Grant Programs, Media Arts
• Jury member, Culture Division, Arts & Culture Grants, City of Mississauga
2009-2017
• Member, Program Advisory Committee, Art & Art History Program, Sheridan College
2009
• Jury member, Permanent Public Art Soundwork – June Callwood Park, Public Art Office of the City of Toronto
2008-2013
• Member (ex officio), Blackwood Advisory Committee, University of Toronto Mississauga
2008-2012
• Member, Arts Council, University of Toronto
2008
• Peer review, essay for Mosaic Journal, University of Manitoba
2005-2008
• Member, Board member, Galerie Optica, Montréal
2005
• Jury member, Canada Council for the Arts, Media Arts, Audio Program
2004
• Canada Council for the Arts, Inter-Arts, Off the Radar: Initiatives in Critical Thinking Grants
• Canada Council for the Arts, Media Arts, Media Art Festival Grants
2003
• Jury member, Canada Council for the Arts, Media Arts, Audio & Computer Integrated Media Program
• Canada Council for the Arts, Inter-Arts, Annual Fund Grants
1998-2002
• Member, Board member, Folie/Culture, Québec
1998
• Jury member, year-end student projects at Ecole d’art visuel de Genève (instructor: Christian Marclay)
1996
• Jury member, Ontario Arts Council, Electronic Media program
1994-1996
• Member, Board member, NCRA (National Campus and Community Radio Association)
1994-1995
• Member, Board member, CKDU-FM, Halifax, Nova Scotia
1994
• Jury member, Canada Council for the Arts, Media Arts, Audio & Computer Integrated Media Program
1993-
• Member, Board member (Founder, serving 1993-1998 and 2004-2008 and now Honorary), Avatar (Centre de création et diffusion de l’art audio et électronique), Québec
2021
• Periscope Podcast, Serralves Museum, Porto, Portugal. Invited. (upcoming)
• “Interval” (2021 mix) for TIMEpiece by Peter Ablinger, part of The Long Now online event, MaerzMusic, Berlin. Invited
2020
• Today Calls”, broadcast daily throughout the year, Resonance Extra, London, UK
2019
• Presentation, “Soundfullessness”, International Conference on Artistic Research, Society for Artistic Research (SAR), Zurich, Switzerland
• Presentation, “Soundfullessness”, Tuning Speculation Conference, Toronto, Ontario
2017
• Presentation, “Shut Up (Preambles and Postfaces) “, Never the Same: what (else) can art writing do? forum, Contemporary Calgary, Calgary
2016
• Chair, “Deadpanel”, Universities Art Association of Canada Conference (UAAC), UQAM, Montreal
• Panelist, Artist Panel, “Sweet Gong Vibrating” exhibition, chaired by curator Amanda Cachia, San Diego Art Institute
• Presentation, “Je ne Je: Evasions somatiques et sonores”, La fabrique des arts sonores – Labex Arts H2H/Université Paris 8, at the galerie Salle Principale, Paris, France
• Presentation, “HITS: Punctuation with Microphones”, Writing as Practice/Practice as Writing – International Conference on Artistic Research, Society for Artistic Research (SAR), The Hague, Holland
• Presentation, “Si Su”, Colloque L’imprévu: de l’erreur à l’errance, Laboratoire de recherche-création, Université de Montréal, March 19-20
2015
• Presentation, “Impro Kino” (with Marla Hlady), Universities Art Association of Canada Conference (UAAC), NSCADU, Halifax
• Chair, “Talk Artists”, Universities Art Association of Canada Conference (UAAC), NSCADU, Halifax
• Panelist, “Resonance of John Cage’s Museumcircle”, part of Image Coming Soon #1 curated by Liora Belford, Justina M. Barnicke Gallery, University of Toronto, Toronto
• Chair, Professional Panel, Boredom conference, Department of Visual Arts, Western University, London
• Panelist, “banal. Breathing”, Re: Mediation – A Dialogue on Immersive and Interactive Art, John Labatt Visual Arts Centre, London
• “Record Release 7-inch”, Kunstradio, ORF – Austrian National Radio
• “Greatest Hits”, part of Sound Ripe, Sound Rotten, Sweet Magic London, London, Ontario
2014
• Presentation, “The First Sentence and the Last Word”, selected by Daniella Cascella for Writing Sound 2, Lydgallerie, Bergen, Norway
• Presentation, “Hit Parade”, Bruits conference, Institut ACTE & Sorbonne 1 & CNRS, Paris, France
• Presentation, “Sound Holes in the Gallery”, Universities Art Association of Canada Conference (UAAC), Toronto
• Presentation, “Sonic Somatic Curating”, Sound Art Curating conference, Goldsmiths and the Courtauld Institute of Art, London
• Presentation, “How To Not Do Dot No To How”, La Recherche-Création: Territoire d’Innovation Méthodologique, UQAM
• Panelist, Panel on Sound Curating, York University
• “Quieting”, selected by curator Steve Bates for Cross Waves Series #2 (Nothing Repeated), New Adventures in Sound Art (NAISA)
• Ora, featured guest on radio program by Daniella Cascella and Salomé Voegelin on Radio Resonance, London, UK
• La croche oreille, featured guest on radio program by Gaëtan Gosselin and Jean-Pierre Guay on CKRL-FM, Quebec City
• Soundproof, on Hit Parade, ABC – Australian National Radio
• Yes/No: Sound/Image, Artlab, Western University (with Kelly Wood)
2013
• Presentation, “Turn, turn, turn: undo’s dizzy tactics” with Alexandre St-Onge, Tuning Speculation, York University
• Presentation, “Door to Door to Door”, Tracing the City and Urban Encounters conference, NSCAD University
• Presentation, “Vox Unpopuli”, Resonant Bodies: Landscapes of Acoustic Tension, ICI Berlin Institute for Cultural Inquiry
• Presentation, “Sonic Somatic”, Errant Bodies Project Space, Berlin, Germany
• Presentation, “Mouth Pores”, Sarma – Laboratory for criticism, dramaturgy, research and creation, Brussels, Belgium
• Presentation, “Utter the Stutter”, Museum Leuven, Leuven, Belgium
• Presentation, “Record Release”, AxeNéo7, Gatineau, Québec
• Presentation, “Hearing Notes: Volume” and “Door to Door to Door”, Harley Parker and the Challenge to Curatorial Authority Symposium, RMG, Oshawa
• Presentation, “Hearing Notes: Volume”, Sound by Artists: book launch and panel talks, JMB, Toronto
• Tracing the City and Urban Encounters conference, “Crackers”, NSCAD University
• Running with Concepts: The Sonic Edition, Blackwood Gallery
2012
• Presentation, “Contemporary Art Practices”, Mississauga Central Library
• Presentation, “Unteachable: Provisos for a Para-Pedagogy”, Universities Art Association of Canada Conference, Montreal
• Introduction of keynote speaker, The Future of Cage: Credo Conference, University of Toronto
• Presentation, “Door to Door to Door”, Leonard & Bina Ellen Gallery, Concordia University, Montreal
• Presentation, “Radio Naked”, New Adventures in Sound Art, Toronto
• Presentation, “Pneumatics: from formless to form and back again” for The Shifting Plane of Performance Symposium at the U of T
• Radio Boredcast, selection of audio works presented by Vicky Bennett for AV Festival, Newcastle upon Tyne
• L’autoportrait radiophonique, selection of audio works by Anna Raimondo for Galerie de l’Institut français de Rabat, Morocco
• Running with Concepts, Blackwood Gallery
2011
• Presentation, “Taciturntablism” for the Sound Art Theories Symposium at The School of the Art Institute of Chicago
• Presentation (keynote), “Unteachable: Provisos for a Para-Pedagogy” for the Out of Joint: Voices on Mentoring conference, Blackwood
• CBC Radio, Definitely Not The Opera, interview and feature on Crackers by Sook Yin-Lee
• Out of Joint: Voices on Mentoring, Blackwood Gallery
2010
• Presentation, “I Think, Therefore I Follow: The Sequitur Principle in Contemporary Conceptual Practices”, for Traffic: Conceptualism in Canada International Conference, Justina M. Barnicke Gallery, University of Toronto
• Presentation, “Dynamic Curating in the Age of Anxiety”, Ontario Association of Art Galleries, Oakville Galleries
• Chair, “The Long Division – Discipline, Punishment and the Place in Between”, Independent Media Arts Alliance, Toronto
• Presentation, “Critical Curatorial Lab” class, DVS Program (St. George), invited by instructor Sunny Kerr
• Presentation, “Inter-, multi- and trans-media Beckett” class, Victoria College (St. George), invited by Carla Taban
• Panelist, “Radio Transformed: a web of possibilities”, Radio Without Boundaries Conference, New Adventures in Sound Art, Toronto
• Panelist, “Conceptualism in French: The Quebec Scene”, Justina M. Barnicke Gallery
• Panelist, “Public Art in Port Credit”, Port Credit Village Project, Art Trax, Port Credit, Mississauga
• Presentation, Sunday Scene (Michael Snow), Power Plant, Toronto
2008
• CFRC, “SevenSixOne-FourEightFourOne” for Conversation Pieces on Air, Agnes Etherington Art Centre, Kingston (curator Sarah E.K. Smith)
2005
• Panelist, “What the body wants to say” with Valie Export, hosted by Imogen Stidworthy, TENT, Rotterdam
2004
• Overgaden Sound Art Festival, Overgaden Institute for Contemporary Art, Copenhagen, Denmark (curators Björn Ross and Claire Savoie)
• Le Navire Night, Radio Canada Chaîne Culturelle, feature interview
• CBC Outfront, radio feature for the Ultrasoniques series
2003
• CBC Radio, Brave New Waves, feature interview
2000
• Presentation, “Flatus Vocci”, Conference on the Senses, Concordia University, Montréal
1999
• Presentation, “Spit/Saliva”, Crossing The Boundaries VII: Fluid, SUNY Binghamton
1998
• Radio Feature and interview on Radio Suisse Romande, producer Jean Nicole
• Radio Feature on Danmarks Radio, producer Peter Kristiansen
1997
• Presentation, “Post-Digital Voice Tactics”, Representation, Arts and Media in Education and Community, Carleton University
1995
• Presentation, “The Boredom of Space & Time”, Universities Art Association of Canada Conference, Guelph
• “Studio as a Creative Tool”, Advanced Audio Workshop, Center for Art Tapes, Halifax
• “The Technique of Voice”, Advanced Audio Workshop, E/Media, Calgary
• Panelist, Inter Access, Toronto
1994
• Radio Feature on Radio Dos, Madrid, Spain, producer José Iges
1991
• Panelist, Radio Possibilities, Forest City Gallery, London, Ontario
RESIDENCIES
2019
• Residency, with Marla Hlady, Glenfiddich Distillery, Dufftown, Scotland
2015
• Residency, Avatar, Quebec City, Quebec
2012
• Visiting Facilitator, Mentorship Program, Ross Creek Center for the Arts, Visual Arts Nova Scotia
2007
• Peer Advisor, Almost Perfect Residency, Banff Center
2001
• Artist-in-Residence, Nova Scotia College of Art & Design
1996
• Residency, Media Arts, Western Front, Vancouver
1994
• Residency, Audio, Banff Center for the Arts
1992
• Residency, Radio Rethink, Banff Center for the Arts
ARTIST TALKS & STUDIO VISITS
2020
• Artist talk, Georgia State University, Atlanta, Georgia
2019
• Workshop, “Nonvers” for the École cantonale d’art de Lausanne (ECAL), Lausanne, Switzerland
• Artist talk, “Talk Tongue”, part of the Sussex Performance Events and Research (SPEAR) series, University of Sussex, Brighton, UK
• Artist talk, part of the Visiting Practitioners Series, London College of Communication (UAL/CRISAP), London, UK
• Artist talk, “Stéréophonie (Étouffements et Éparpillements)”, part of the MMAINTENANT conference series curated by Matthieu
• Saladin and organized by l’Université Paris 8, les Instants Chavirés and Synesthésie, Paris, France
2018
• Workshop, “Shopwork” for the London College of Communication (LCC), London, England
• Artist talk, MFA Graduate studio seminar, School of Visual, Media, and Performing Arts, Brooklyn College, Brooklyn, New York
• External critic, MFA Graduate studio seminar, Department of Transmedia at Syracuse University, Syracuse, New York
2017
• Workshop, “Open Mic” at the Lausanne Film & Music Festival (LUFF), Lausanne, Switzterland
2016
• Artist talk and class and grad studio visits, School of the Art Institute of Chicago, Chicago
• Artist talk and grad studio visits, York University, Toronto
2014
• Artist talk, School of the Museum of Fine Arts, Boston
• Artist talk and studio visits, University of Victoria
2013
• Workshop, AKA Sounds Like Audio Art Festival, Saskatoon, Saskatchewan
• Artist talk, Visual Arts MFA/PHD Speaker Series, Graduate Program in Visual Arts, York University, Toronto
• Artist talk, Zilver Flotations, Beursschouwburg, Brussels, Belgium
2011
• Artist talk, Plug In ICA, Winnipeg, Manitoba
• Artist talk, University of Porto, Porto, Portugal
2010
• Workshop, Georgia State University, Atlanta, Georgia
• Workshop, Dundee Contemporary Arts, Dundee, Scotland
• Artist talk and studio visits, Georgia State University, Atlanta, Georgia
2009
• Artist talk and studio visits, York University, Toronto
• Artist talk and studio visits, Western University
• Artist talk and studio visits, University of Guelph
• Artist talk, Sheridan College, Oakville, Ontario
2007
• Workshop, Atelier Laboratoire d’Exploration Interdisciplinaire, ADÉSAM, Montréal
• Artist talk, Alberta College of Art & Design, Calgary, Alberta
• Artist talk, Images Festival, Toronto, Ontario
• Artist talk, Western University, London, Ontario
2005
• Artist talk, “Analphabête”, part of ICI series, UQAM, Montréal
2003
• Workshop, “Sonographing” with Lynda Gaudreau, Royal Danish Academy of Arts, Copenhagen
2002
• Workshop, “Tickers” for Send & Receive, Plug-In, Winnipeg
1995
• Workshop, “Studio as a Creative Tool”, Center for Art Tapes, Halifax
• Workshop, “The Technique of Voice”, E/Media, Calgary
1994
• Artist talk, Inter Access, Toronto
1992
• Workshop, Radio Art Workshop with Claude Schryer, Sound Symposium, St. John’s Newfoundland
• Artist talk, 7e Printemps ElectroAcoustique, Musée d’Art Contemporain, Montréal
• Artist talk, Rhetoric, Utopia and Technology residency, Banff Center
REVEIWS & CRITIQUES
2020
• Performing Arts Review (Taiwan), September 2020, article featuring my 2006 work Microhole, by Chi Po Hao
• Musicworks, fall 2020, Squint Press profile by Nick Storring
• Artforum, Critics’ Picks, for Swan Song (with Marla Hlady) at Christie Contemporary, reviewed by Daniella Sanader
2019
• The Wire, No. 425 July 2019, p. 78, review of Mixer at Borderline Fest, by Daniel Neofetou
2018
• Glissando, “Ciało jest fabryką dźwięków – Rozmowa z Christofem Migonem” [interview in Polish], No. 33, by Antoni Beksiak
• CKUT-FM Radio McGill Time Capsule, Interview for podcast with Eve Fiertag
2017
• Vital Weekly, review of Greatest Hits, No. 1064, by Frans de Waard
2016
• Against Ambience, on Record Release and Quieting, Bloomsbury, 2013, pp. 71-72, 152-156, by Seth Kim-Cohen
2015
• Centre for Imaginative Ethnography, interview by Ely Rosenblum
• Ear Room, online blog, feature interview by Mark Peter Wright
• Tempo – A Quarterly Review of New Music (Cambridge University Press), on Sonic Somatic, Volume 69, Issue 271, pp.97-98 by Stacey Sewell
2013
• The Senses & Society, review of Sonic Somatic, No. 116, p. 354-8, by Nathan Heuvingh
• C Magazine, review of Volume: Hear Here, No. 118, pp. 44-45, by Shannon Anderson
• Musicworks, review of Volume: Hear Here, No. 116, p.p. 59-60, by Jason Eyk
• Musicworks, review of Sonic Somatic and Fingering, No. 116, p. 62, by Chris Kennedy
• The Star, “Three Metro Toronto unsung art galleries that deserve a hallelujah chorus”, by Daniel Baird
• Vital Weekly, review of Fingering, No. 869, by Frans de Waard
• Neural, review of Sonic Somatic, neural.it, (uncredited)
2012
• The Wire, No. 342 August, p.64, review of Sonic Somatic, by Daniela Cascella
• The Wire, No. 342 August, p.79, review of Hit Parade at the Whitney Biennial, by Ceci Moss
• C Magazine, 114 Summer, p.46, review of Seripop: Landscapes Events Reproducted, by Amy Gaizauskas
• The National Post, March 1, AL8, review of Seripop: Landscapes Events Reproducted, by Leah Sandals
• Blackflash, 29.2 Winter, cover image of Hit Parade
• No More Potlucks, Issue 22: Record, 2012, “Listening to Ray Bradbury’s Mars: A Conversation with Christof Migone”,on The Rise and Fall of the Sounds and Silences From Mars, by Marc Weidenbaum
2011
• Samuel Beckett Today/Aujourd’hui, No. 23, pp. 153-155, on Foursome in “Transpositions de l’œuvre de Beckett dans l’art contemporain au Québec, 2000-2010”, by Carla Taban
2010
• Art Papers, p.56-7, on Location!Location!Location!, by Amish Morell
• Globe and Mail, October 2, 2010, M3, “Christof Migone: Nuit Blanche curator” by Micah Toub
• Listening to Noise and Silence: Towards a Philosophy of Sound Art, on Quieting, pp. 88-91London: Continuum, by Salomé Voegelin
• Performance Research, 15(3) issue: On Listening, “Listening Inside Out: Notes on an embodied analysis” by Stacey Sewell, discussion of Crackers, p. 60-65
2009
• Globe and Mail, November 7, 2009, R12,”Many Ways to Become Airborne”, on Fall Out and Fall In, by Leah Sandals
• Musicworks, No. 105 Winter 2009, p.58, “awash in meaning” on awashawave, by Laura Paolini
• Globe and Mail, June 27, 2009, R4,”Dance to this: A bump. a squeak, a voice”, on Escape Songs, by Carl Wilson
• Curatorial essay for the Fixation exhibition, “Revealing the everyday” by Mireille Bourgeois
• Sculpture, review of “Disco Sec”, No. 28.3, p.78, by William V. Ganis
2008
• Mercer Union brochure, “A Portrait: Christof Migone’s Disco Sec” by Martin Arnold
• CCP (cahiers critiques de poésie), review of Tue by Vincent Barras
• Libr-critique, review of Tue by Philippe Boisnard
• C’est arrivé près de chez vous, “Shared Belonging and Neighbourly Works”, pp.148-149, by Nathalie de Blois
• Inter, No. 101 hiver 2008-2009, review of Tue by André Marceau
• Voir, 14/02/2008 p.43, “STOP ou Encore?” review of STOP. by Nicolas Mavrikakis
• Le Devoir, 9/10 février E6, “Des indices trompeurs et insaisissables” review of STOP. by Marie-Ève Charron
2007
• Esse 60, “Trou : une esthétique du corps” review of Trou by André-Louis Paré
• Esse 59, cover image and photo dossier for “Bruit” issue
• The Montreal Gazette, “Sonic Boom”, January 13, by Cameron Skene
2006
• Trou, catalog, Galerie de l’UQAM, curatorial essay “Parallels” by Nicole Gingras
• Background Noise: Perspectives on Sound Art, “Word of Mouth: Christof Migone’s little manias”, London: Continuum, by Brandon LaBelle
• C Magazine, review of “Disquiet”, No. 88, p.41, by Risa Horowitz
2005
• Artforum, December 2005, “Sound Voice Perform” in Best of 2005 list by Christoph Cox
• Musicworks, review of “Sound Voice Perform” by Deanna Radford
• The Wire, review of “Sound Voice Perform” by Will Montgomery
• Vital Weekly no. 472 week 17, review of “Sound Voice Perform” book/CD by Frans de Waard
2004
• Le Devoir, review of La première phrase et le dernier mot, F4, by David Cantin
• After Hours #19, feature on squintpress, Tokyo, Japan
2003
• Artforum, December 2003, “South Winds” in Best of 2003 list by Christian Marclay
• BT magazine Vol.55 No.831, Tokyo, Japan, feature by Atsushi Sasaki
• Ubu Web, interview by Martin Spinelli for “Radio Radio” series
2002
• The Wire, March Issue 217, feature by Dave Mandl
2001
• La Voce del Popolo, Winter 2001-2002 #2, interview
• Lola, Fall 2001 #10, review of “Disclosure”
2000
• NY Press, March 1-7, review of “Crackers” by Kenneth Goldsmith
• The Wire, September Issue 199, review of undo CD
1999
• The Wire, March Issue 181, review of “vex”
1998
• P-Form, No.46.2 Fall 1998, review of “Separate” by Aaron Pollard
• Mix Magazine, vol.24.2 Fall 1998, review of “Separate” by Valérie Lamontagne
• Fuse, vol. 21 no.4, review of “Separate” by Stephen Horne
• Parachute, No. 92, review of “Separate” by Johanne Lamoureux
• The Wire, February 1998, review of participation in “Recycling the Future”
• The Wire, January 1998, reviews of “Hole in the Head”, “Rappel”, “Radio Folie Culture”
1997
• Revue et Corrigée, June 1998, reviews of “Hole in the Head”, “Rappel”, “Radio Folie Culture”
• fader, vol.001, review of “Hole in the Head”
• Montreal Mirror, review of “Hole in the Head”
• Exclaim!, reviews of “Hole in the Head”, “Rappel”, “Radio Folie Culture”
• CMJ, review of “Hole in the Head”
1993
• Inter, Number 55/56, review of “Transpiring Transistor” performance
1992
• High Performance, Winter 1992, review of “Squeaky Clean”
WEBSITES
https://www.christofmigone.com/
http://squint.press/
http://todaycalls.website/
https://youandiarewaterearthfireairoflifeanddeath.com/
http://www.youtube.com/user/Cmigone
https://vtape.org/artist?ai=1956
http://www.ubu.com/sound/migone.html
http://www.errantbodies.org/ebpublications.html
http://www.avatarquebec.org/en/#!/en/projects/?k=christof+migone
http://lequartanier.com/auteurs/migone.htm
http://www.artbook.com/
https://sculptureaday.wordpress.com/
ARTIST STATEMENT
My research delves into language & voice, bodies & performance, intimacy & complicity, sound & silence, rhythmics & kinetics, translation & referentiality, stillness & imperceptibility, structure & improvisation, play & pathos, pedagogy & unlearning, failure & endurance. Current and ongoing investigations: microphone hitting, book flipping, tongue extruding, record releasing, word hyphenating, para-pedagogical positioning, careless curating, noise making, sequitur following, paper passing, interval counting, rhythm repeating, phone licking, machine fingering, playlist compiling, silence listening, dozens of dozens, strobosonoscopics and stroboscopsonics.
Ma démarche et recherche se penchent sur le language et la voix, le corps et la performance, l’intimité et la complicité, le son et le silence, la rythmique et la cinétique, la traduction et le référentiel, l’immobile et l’imperceptible, la structure et l’improvisation, le jeu et le pathos, la pédagogie et la méconnaissance, l’échec et l’endurance. Obsessions du moment : destructions de microphones, feuilletages de livres, extrusions de langues, lancements de disques, traitements des traits d’union, positionnements des para-pédagogues, pluralités des bruits, passages des pages, suites de toute suites, lèchements de téléphones, compilations de listes, écoutes des silences, douzaines de douzaines, strobosonoscopiques et stroboscoposoniques.
BIO
Christof Migone is an artist, teacher, curator, and writer. He often works with language, voice, bodies, performance, intimacy, complicity, and endurance. He co-edited the books Writing Aloud: The Sonics of Language (Los Angeles: Errant Bodies Press, 2001) and Volumes (Blackwood Gallery, 2015). His writings have been published in Aural Cultures, S:ON, Experimental Sound & Radio, Musicworks, Radio Rethink, Semiotext(e), Angelaki, Esse, Inter, Performance Research, etc. He obtained an MFA from NSCAD in 1996 and a PhD from the Department of Performance Studies at the Tisch School of the Arts of New York University in 2007. He has released numerous solo and collaborative audio cds on various labels (Avatar, ND, Alien 8, Locust, Oral, squint). He has curated a number of exhibitions and events: Touch that Dial (1990), Radio Contortions (1991), Rappel (1994), Double Site (1998), stuttermouthface (2002), Disquiet (2005), START (2007), STOP.(2008), and Should I Stay or Should I Go (Nuit Blanche 2010). He was the Director/Curator of the Blackwood Gallery between 2008 and 2013. He has performed at Beyond Music Sound Festival, kaaistudios, Resonance FM, Ménagerie de Verre, Experimental Intermedia, Méduse, Images Festival, Send+Receive, Kill Your Timid Notion, Liquid Architecture, Mutek, Victoriaville Festival, Casa del Popolo, Théâtre La Chapelle, CAFKA, Museum Leuven, Whitney Museum, Apologies in Advance, DE PLAYER, LUFF, Cave 12, Ftarri, Borderline, Irtijal, etc. His installations have been exhibited at the Banff Center, Rotterdam Film Festival, Gallery 101, Art Lab, eyelevelgallery, Forest City Gallery, Studio 5 Beekman, Mercer Union, CCS Bard, Optica, Oboro, Museum London, etc. He has collaborated or played with Lynda Gaudreau, Sam Shalabi, Martin Tétreault, Alexandre St-Onge, Michel F. Côté, Gregory Whitehead, Set Fire To Flames, l’Oreille à Vincent, and Fly Pan Am. A monograph on his work, Sound Voice Perform, was published in 2005. In 2006, the Galerie de l’UQAM in Montreal presented a mid-career survey of his work accompanied by a catalog and a DVD entitled Trou. A book compiling his writings on sound art, Sonic Somatic: Performances of the Unsound Body was published in 2012 by Errant Bodies Press. He has been the recipient of commissions from the Tate Modern, Dazibao, Kunstradio, Centre for Art Tapes, New Adventures in Sound Art, Radio Canada, New American Radio. He is a founding member of Avatar (Québec City). He recently was a recipient of the Glenfiddich Artist Residency with Marla Hlady. He is currently curating a 12-year event titled You And I Are Water Earth Fire Air Of Life And Death. He lives in Toronto and is an Associate Professor in the Department of Visual Arts at Western University in London, Ontario.
Christof Migone, artiste/écrivain/commissaire, est l’auteur de nombreuses performances et installations présentées dans des lieux et dans le cadre d’évènements tels que Beyond Music Sound Festival (Los Angeles), kaaistudios (Brussels), Resonance FM (London), Nouvelles Scènes (Dijon), On the Air (Innsbruck), Ménagerie de Verre (Paris), Experimental Intermedia (NYC), Méduse (Québec), Mutek, Victoriaville Festival, Send+Receive, Banff Center, Rotterdam Film Festival, DHC Art, CAFKA, Trama Festival, Whitney Biennial, etc. Il a exposé au Banff Center, Rotterdam Film Festival, Gallery 101, Art Lab, eyelevelgallery, Forest City Gallery, Studio 5 Beekman, Mercer Union, CCS Bard, Optica, Musée National des Beaux-Arts du Québec. Titulaire d’une maîtrise en beaux-arts du Nova Scotia College of Art & Design, il a également obtenu un doctorat au Department of Performance Studies de la New York University. II est co-rédacteur en chef de Writing Aloud: The Sonics of Language, et ses textes ont été publiés dans Aural Cultures, S:ON, Musicworks, Semiotext(e), Radio Rethink, Parachute, Angelaki, Esse, Performance Research, etc. Il a publié deux livres, la première phrase et le dernier mot et Tue, chez l’éditeur montréalais Le Quartanier. Il a été commissaire de plusieurs évenements : Touch that Dial (1990), Radio Contortions(1991), Rappel (1994), Double Site (1998), stuttermouthface (2002), Disquiet (2005), START (2007), STOP. (2008) ainsi que plusieurs autres au sein de la galerie Blackwood. Christof Migone a aussi collaboré avec de nombreux artistes, dont Lynda Gaudreau, Tammy Forsythe, Gregory Whitehead, Martin Tétreault, Alexandre St-Onge et Michel F. Côté. Ce membre fondateur d’Avatar à Québec a en outre réalisé neuf disques compacts solo (Avatar, ND, Alien 8, Locust, Oral). Il a reçu des commandes de la Tate Modern, Dazibao, Kunstradio, Centre for Art Tapes, New Adventures in Sound Art, Radio Canada, New American Radio. En 2005, l’éditeur Errant Bodies Press publia un monographe sur son travail : Sound Voice Perform. En 2006, la Galerie de l’UQAM lui a consacré une exposition retrospective incluant un catalogue et un DVD intitulé Trou. Un livre qui réunit ses écrits sur l’art sonore, Sonic Somatic: Performances of the Unsound Body a été publier en 2012 par Errant Bodies Press. Il habite à Toronto et est professeur agrégé au département d’arts visuels de Western University à London en Ontario.
PRESS DOSSIER
See Bibliography page and scroll down.
PRESS PHOTOS
Contact me.