Hit Parade 

(2007 – ongoing)

Publication: Greatest Hits

Related works: MicroMicrofall, MicroholeHit (Saskatoon)Hit (Nuit Blanche)Hit Maker (Porto), Hit Maker (Sudbury)

Participants lie face down on the street where they occupy a sidewalk and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each person has their own amplifier. Each performer chooses their own rhythm and intensity. Each person follows a simple score (see below on this page) from memory.

Hit Parade (Seoul). Ten participants lie face down on the street where they block traffic and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified through an amplifier located in the garden of the SongWon Art Center. Cables run over the wall connecting the participant in the street to the amplifier in the garden. Each performer chooses their own rhythm and intensity. Once the participants had finished, the mics and the cables were left in their place for cars to run over them. An installation documented the performance with the remnants of the microphones and a polaroid for each participant. The installation was presented at the TOTAL Museum of Contemporary Art in Seoul. The performance and installation were part of SFX SEOUL 2007 and took place on September 8, 2007. Participants: Jung Ye Sle, Zin Kyung-Chui, Lee Jae-hoon, Maeng Dami, On Jeonghyi, Kim Bum-jun, Jin Soony-hoon, Haan-Ayoo, (and two names missing).

Hit Parade (Montreal). Eleven participants lie face down on the street where they almost block traffic on Boulevard St. Laurent and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each person chooses their own rhythm and intensity. The performance took place as part of the Suoni per il Popolo, at the Sala Rossa, June 9, 2008. Participants: Adam Bobbette, Gina Badger, Alexis Bellavance, Olivia Boudreau, Sophie B. Clément, Leanne Dyer, Nadège Grebmeier-Forget, Darsha Hewitt, Marc-Antoine K. Phaneuf, Fred Savard, Janice Wu.

Hit Parade (Quebec). Fourteen participants lie face down on the street where they occupy the atrium of the museum and proceed to pound the ground with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. The performance was part of C’est arrivé près de chez vous at the Musée National des Beaux-Arts du Québec (curator Nathalie de Blois), January 17, 2009. Participants: Carol-Ann Belzil-Normand, Wahmed Benyounes, Adam Bergeron, Edith Dufour, Martin Dufrasne, Caroline Gagné, Caroline Gauthier, Pascal Gingras, Jonathan Lamy, Josée Landry-Sirois, Pierre-Luc Lapointe, Christof Migone, Hugo Nadeau, Geraldine Perna.

Hit Parade (Dundee). Twelve participants lie face down on the street where they block foot traffic at the entrance of the DCA and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. The performance was part of Kill Your Timid Notion, Dundee Contemporary Arts (DCA), 21-28 February, 2010. Participants: Sinéad Bracken, Tara Chaloner, Liam Casey, Paul Gault, Sylvia Law, Eaun Lynch, Eilidh MacKay, Kristen Parker, Benjamin B. Parkes, Laurie Pit, Gillian M. Smith, Alison Tarry.

Hit Parade (Winnipeg). Fifteen participants lie face down on the street where they occupy a sidewalk and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. The performance was presented in part by Plug In for the Send+Receive Festival, October 7, 2011. Participants: Elise d’Awson, Heather Baril, Irene Bindi, Taylor Burgess, crys cole, Chantal Dupas, Angela Forget, Erica Jacobson, Cameron Johnson, Joe Kalturnyk, Les Klassen, Sandee Moore, Andrea Roberts, Josh Rose, Robert Taite.

Hit Parade (Porto). Twelve participants lie face down on the street where they occupy a city square and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. The performance was part of the Trama Festival. Performance took place on October 14, 2011. Participants: João Miguel Brojo, Diana Costa, Matilde Nicolau de Almeida, Sarah Klimsch, Fernando Sebastião Lalanda, Alícia Moreira, Cátia Neves, Ana Sofia Nico, Paulo Bruno Osório, Pedro Pereira, Ricardo Pereira, Felícia Teixeira.

Hit Parade (New York). Thirteen participants lie face down where they proceed to pound the ground with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every hundred of whatever length they wish. Presented as part of Arika’s programming for the Whitney Biennial titled A survey is a process of listening, May 3, 2012 at the Whitney Museum. Participants: Deboarah Aruta, Donna Blicharz, Robin Edgerton, Storm Garner, Dawn Kasper, Dages Keates, Seth Kim-Cohen, Jecca, Jeff Ladouceur, Sayhan Musaoglu, Christopher Ortiz, Meena Sajwani, Maya Winfrey.

Hit Parade (Toronto). Seventeen participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every hundred of whatever length they wish. Presented as part of the 7a*11d International Festival of Performance Art, October 27, 2012, in the lobby of the Ontario College of Art & Design (rain location). Participants: Sharlene Bamboat, Marc Couroux, Connor Crawford, Brian Da Silva, Francisco-Fernando Granados, Dorothea Hines, Reena Katz, Brianna MacLellan, Mitchell McGoey, Michelle D. Moreno, Faye Mullen, Stephen Parkinson, David Poolman, Eldritch Priest, Tasman Richardson, David Sutin, Jay Wilson.

Hit Parade (Rotterdam). Ten participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every hundred of whatever length they wish. Presented as part of the International Film Festival Rotterdam, part of the Signals: Sound Stages curated by Edwin Carels. Monday, January 28, 2013, at the Schouwburgplein. Participants: Barry Esson, Sato Endo, Tjyying Lui, Judith Vld Made, Kiki Petratou, Marcy Saude, Kate Taylor, LiChun Tseng, Janneke Van Der Putten, Marielle Verdijk.

Hit Parade (Kitchener). Fifteen participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every hundred of whatever length they wish. Presented at the Between the Ears portion of CAFKA.13, May 31, 2013, in Kitchener City Hall. Performers: Line Antonisen, Krista Blake, Richard Burrows, Adam Campbell, Vedran Dzebic, Michelle Hwu, David Jensenius, Sandro Manzon, Daniel Morphy, Mark Prier, Micheline Roi, Natalie Romano, Greg Samek, Ryan Scott, Stefan Serada.

Hit Parade (Milan). Twelve participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every ten for the first hundred, and then at every hundred, and just before reaching one thousand. The pause can be of whatever length they wish. Performance presented in the context of the Cildo Meireles exhibition titled Installation. The same evening featured Mark Fell’s Sky Dancers. Thursday July 10, 2014, at HangarBicocca in Milan, Italy.Participants: Najma Bader, Federico Crafa, Francesca Fedeli, Giulia Garofalo, Laura La Torraca, Sergio Messina, Nicola Mette, Federica Panelli, Davide Savorani, Olivia Strada, Simone Trabucchi, Stefano Zicchieri.

Hit Parade (Melbourne). Thirty-nine participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. For the most part each performer chooses their own rhythm and intensity, but each performer is given a specific instruction. Performance presented by the Liquid Architecture Festival in the Great Hall of the National Gallery of Victoria on Sunday, September 28, 2014. Participants:Annabel Allen, Alan Bamford, France Barrett, Craig Bellamy, Gary Butler, Carmen Chan, J Chen, Rochelle Duke, Sarah Edwards, David Evans, Arie Glorie, Nathan Gray, Ceri Hann, Camilla Hannan, Kieran Hegarty, Jamie Helmer, Lloyd Honeybrook, Gemma Horbury, i’d m thfft able, Zoe Irving, Daniel Jenatsch, Amy-Jo Jory, Arvind Kumar, Anthony Magen, Kym Maxwell, Noah Maxwell, Andrew McDaddy, Adrian Meade, David Mutch, James Myers, James Parker, Helena Sandahl, Esther Tandi, Brett Thompson, Elizabeth Van Herwaarden, Jule Vincent, (and three missing names).

Hit Parade (Zagreb). Twenty-five participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. For the most part each performer chooses their own rhythm and intensity, but the performers inside the space moving progressively towards the center (while the six that were paired at each of the three entrances to the pavilion stayed put). Performance presented as part of the Expanded Cinema section of the 25fps festival, Zagreb, Croatia, September 27, 2015. Performers: Inesa Antic, Viktoria Babic, Oleg Beric, Daria Blazevic, Sonja Durajlija Zinic, Kaya Erdinç, Sanja Grbin, Ana Horvat, Lana Jastrevski, Viktoria Krcelic, Ejla Kovacevic, Lucija Mandekic, Jesse McLean, Matej Merlic, Mateja Milic, Ilija Milosevic, Layla Munitic, Ivan Renic, Julian Ross, Arron Santry, Tomislav Soban, Tina Tisljar, Iva Tkalec, Ivan Turkalj, Erwin van’t Hart.

 
SCORE – 4TH VERSION (MELBOURNE)

VARIATIONS (REST SAME AS 3RD VERSION):

INSTRUCTIONS FOR PERFORMER NO. 1: Hit as slow as possible for the first half and as fast as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 2: Hit as slow as possible for the first half and as fast as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 3: Hit as slow as possible for the first half and as fast as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 4: Hit as slow as possible for the first half and as fast as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 5: Hit as fast as possible for the first half and as slow as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 6: Hit as fast as possible for the first half and as slow as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 7: Hit as fast as possible for the first half and as slow as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 8: Hit as fast as possible for the first half and as slow as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 9: Make each pause twice as long as the last one.

INSTRUCTIONS FOR PERFORMER NO. 10: Make each pause twice as long as the last one.

INSTRUCTIONS FOR PERFORMER NO. 11: Make each pause twice as long as the last one.

INSTRUCTIONS FOR PERFORMER NO. 12: Make each pause twice as long as the last one.

INSTRUCTIONS FOR PERFORMER NO. 13: Alternate each section between pauses between hitting softly and hitting hard.

INSTRUCTIONS FOR PERFORMER NO. 14: Alternate each section between pauses between hitting softly and hitting hard.

INSTRUCTIONS FOR PERFORMER NO. 15: Alternate each section between pauses between hitting softly and hitting hard.

INSTRUCTIONS FOR PERFORMER NO. 16: Alternate each section between pauses between hitting softly and hitting hard.

INSTRUCTIONS FOR PERFORMER NO. 17: Hit increasingly fast and loud.

INSTRUCTIONS FOR PERFORMER NO. 18: Hit increasingly fast and loud.

INSTRUCTIONS FOR PERFORMER NO. 19: Start fast and loud, finish slow and quiet.

INSTRUCTIONS FOR PERFORMER NO. 20: Start fast and loud, finish slow and quiet.

INSTRUCTIONS FOR PERFORMER NO. 21: Start fast and loud, finish slow and quiet.

INSTRUCTIONS FOR PERFORMER NO. 22: Start fast and loud, finish slow and quiet.

INSTRUCTIONS FOR PERFORMER NO. 23: Try to finish first.

INSTRUCTIONS FOR PERFORMER NO. 24: Try to finish first.

INSTRUCTIONS FOR PERFORMER NO. 25: Try to finish first.

INSTRUCTIONS FOR PERFORMER NO. 26: Try to finish first.

INSTRUCTIONS FOR PERFORMER NO. 27: Try to finish last.

INSTRUCTIONS FOR PERFORMER NO. 28: Try to finish last.

INSTRUCTIONS FOR PERFORMER NO. 29: Try to finish last.

INSTRUCTIONS FOR PERFORMER NO. 30: Try to finish last.

INSTRUCTIONS FOR PERFORMER NO. 31: Ignore my instructions about pauses and take them whenever you feel like it.

INSTRUCTIONS FOR PERFORMER NO. 32: Ignore my instructions about pauses and take them whenever you feel like it.

INSTRUCTIONS FOR PERFORMER NO. 33: Don’t take any pauses.

INSTRUCTIONS FOR PERFORMER NO. 34: Don’t take any pauses.

INSTRUCTIONS FOR PERFORMER NO. 35: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 35: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 36: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 37: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 38: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 39: Within each block of one hundred ramp up and then down (could be in terms of speed or intensity or both).

INSTRUCTIONS FOR PERFORMER NO. 40: Within each block of one hundred ramp up and then down (could be in terms of speed or intensity or both).

INSTRUCTIONS FOR PERFORMER NO. 41: Within each block of one hundred ramp up and then down (could be in terms of speed or intensity or both).

INSTRUCTIONS FOR PERFORMER NO. 42: Within each block of one hundred ramp up and then down (could be in terms of speed or intensity or both).

INSTRUCTIONS FOR PERFORMER NO. 43: Follow the score and nothing more.

INSTRUCTIONS FOR PERFORMER NO. 44: Follow the score and nothing more.

INSTRUCTIONS FOR PERFORMER NO. 45: Follow the score and nothing more.

INSTRUCTIONS FOR PERFORMER NO. 46: Follow the score and nothing more.

INSTRUCTIONS FOR PERFORMER NO. 47: Hit hesitantly sometimes.

INSTRUCTIONS FOR PERFORMER NO. 48: Hit hesitantly sometimes.

INSTRUCTIONS FOR PERFORMER NO. 49: Take longer than others to start.

INSTRUCTIONS FOR PERFORMER NO. 50: Take longer than others to start.

SCORE – 3RD VERSION (MILAN)

1 2 3 4 5 6 7 8 9 10 (pause)

11 12 13 14 15 16 17 18 19 20 (pause)

21 22 23 24 25 26 27 28 29 30 (pause)

31 32 33 34 35 36 37 38 39 40 (pause)

41 42 43 44 45 46 47 48 49 50 (pause)

51 52 53 54 55 56 57 58 59 60 (pause)

61 62 63 64 65 66 67 68 69 70 (pause)

71 72 73 74 75 76 77 78 79 80 (pause)

81 82 83 84 85 86 87 88 89 90 (pause)

91 92 93 94 95 96 97 98 99 100 (pause)

101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 (pause)

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1000

SCORE – 2ND VERSION (NEW YORK, TORONTO, ROTTERDAM, KITCHENER)

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 (pause)

101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 (pause)

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SCORE – 1ST VERSION (SEOUL, MONTREAL, QUEBEC, DUNDEE, WINNIPEG, PORTO)

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