Foursome, radio work produced in 2007, recently published in transcripted form in Beckett and Musicality, edited by Sara Jane Bailes and Nicholas Till (Ashgate, 2014). The book cover features the drawing produced blindly by the four choreographers I worked with (Dana Gingras, Tammy Forsythe, k.g. Guttman, and Marie-Claude Poulin). The book features Matthew Goulish, Catherine Laws, amongst many others.

The Micro Series (combo of Micro and Hit Parade), two-page feature in the inaugural Practices section of Revue d’art canadienne / Canadian Art Review (RACAR), guest edited by Risa Horowitz, Vol. XXXIX, No.1, Fall 2014, 32-33. Pdf here.

Hit Parade, video documentation presented at the BRUITS international colloquium, at the Cité du Cinéma/École Nationale Supérieure Louis Lumière on December 4 – 5 in Paris, France.

The First Sentence and the Last Word, selected by Daniella Cascella for Writing Sound 2, presented November 20 to December 14, 2014 at the Lydgallerie in Bergen, Norway.

Dial 40, performative telephone work available as part of the benefit auction on Paddle 8 for Art Metropole‘s 40th Anniversary, presented until November 20, 2014.

Yes/No exhibition and Yes/No: Sound/Image conference November 20-December 2 and November 21 respectively at the Artlab, John Labatt Visual Arts Centre, Western University, London, Ontario, Canada. Featuring student work for the former, and for the latter the Nihilist Spasm Band, Brian Price, Chris Kennedy, Olivia Boudreau, Stephen Mueller, Rehab Nazzal, Ulisses Unda, Peter Lebel, and Annie MacDonell.

Quieting, selected by curator Steve Bates for Cross Waves Series #2: Nothing (Repeated) presented by New Adventures in Sound Art (NAISA).

“Sound Holes in the Gallery” conference presentation as part of The Senses and the Curatorial panel convened by Jim Drobnick, part of the Universities Art Association of Canada (UAAC) Conference held at OCADU in Toronto. Friday October 24.

Hit Parade (Melbourne)Mixer (Melbourne)Talk ArtistSonic Somatic. Series of activities presented at the Liquid Architecture Festival in Melbourne, Australia, September 24-28. Pdf of catalogue here, and insert with artist pages here.

Art Now! Speakers Series, organized around the topic title: Yes/No, fall 2014 for the Department of Visual Arts at Western University. Featuring Erin Sexton & Felix Lee, Tasman Richardson, Aja Rose Bond & Gabriel Saloman, Ame Henderson, Nandita Biswas Mellamphy, Christine Swintak, Louise Déry, and the Nihilist Spasm Band.

Hit Parade (Milan), performance presented in the context of the Cildo Meireles exhibition titled Installations. The same evening will feature Mark Fell’s Sky Dancers. Thursday July 10 at Pirelli HangarBicocca in Milan, Italy. HangarBicocca page on the event here. Facebook event page here.

Invited to join the editorial board of the Journal of Curatorial Studies.

Interviewed by Gaëtan Gosselin and Jean-Pierre Guay on the radio program La croche oreille aired on CKRL-FM in Québec City and archived online.

Featured guest on Ora, a radio program hosted by Daniella Cascella and Salomé Voegelin, topic: Curating Sound, aired on Resonance FM and archived online.

Solo performance based on Fingering material for series Guérilla unis par le bruit curated by Érick D’Orion at Le Cercle, part of Manif d’Art 7 – Québec City Biennial. Québec City on Friday May 30. Sharing the bill with Erin Sexton, and K.A.N.T.N.A.G.A.N.O. (Alexandre Saint-Onge, Jonathan Parant, Alexander Wilson). Facebook event here.

Conference presentation, “Somatic Sound Curating” at the Sound Art Curating Conference, at Goldsmiths (University of London) and the Courtauld Institute of Art, London, UK, May 15-17, 2014. Presentation is on Saturday May 17 at the Courtauld, and also participating on a panel on Friday May 16 at Goldsmiths where I presented a new text piece Hy-Ph-En.

4 feet and 33 inches (neons), first exhibit of new piece at Cambridge Galleries as part of group show titled 5 over 4 featuring other works by Marla Hlady, Eleanor King, Duncan MacDonald and Ursula Nistrup. May 2 – June 29, 2014. Opening Friday May 2.

Artist talk, part of the Intonarumori series presented by School of the Museum of Fine Arts (SMFA) Boston in collaboration with Harvard University’s Hearing Modernity seminar series. April 14, 12:30-2 pm in the Alfond Auditorium at the Museum of Fine Arts, Boston.

Sans Sourdines, a new text commissioned by Dazibao for the 172 page publication, Home Sweet Home: À propos de l’inquiétude that accompanies the exhibition by the same name. Edited by France Choinière.

Conference presentation, How To Not Do Dot No To How, for the Méthodes hasardeuses panel, moderated by Jean Dubois, part of the colloquium La Recherche-Création Territoire D’Innovation Méthodologique, UQAM, Montréal, March 21.

Panel presentation, “Unsound Curating”, for panel on Sound Curating convened by Jennifer Fischer, also featuring Jim Drobnick. York University, February 26.

Artist talk, The Visiting Artists Program, Visual Arts, University of Victoria, in Victoria, British Columbia. Room A162 Visual Arts Building. Feb 19.