Hit Parade 

(2007 – ongoing)

Publication: Greatest Hits

Related works: MicroMicrofall, MicroholeHit (Saskatoon)Hit (Nuit Blanche)Hit Maker (Porto), Hit Maker (Sudbury)

Participants lie face down on the street where they occupy a sidewalk and proceed to pound the pavement with the microphone one thousand times.

The sound of each person’s actions is amplified.

Each person has their own amplifier.

Each performer chooses their own rhythm and intensity.

Each person follows a simple score from memory.

Hit Parade (Seoul). For the first edition ten participants lie face down on the street where they block traffic and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified through an amplifier located in the garden of the SongWon Art Center. Cables run over the wall connecting the participant in the street to the amplifier in the garden. Each performer chooses their own rhythm and intensity. Once the participants had finished, the mics and the cables were left in their place for cars to run over them. An installation documented the performance with the remnants of the microphones and a polaroid for each participant. The installation was presented at the TOTAL Museum of Contemporary Art in Seoul. The performance and installation were part of SFX SEOUL 2007 and took place on September 8, 2007. Participants: Jung Ye Sle, Zin Kyung-Chui, Lee Jae-hoon, Maeng Dami, On Jeonghyi, Kim Bum-jun, Jin Soony-hoon, Haan-Ayoo, (and two names missing).

Hit Parade (Montreal). For the second edition eleven participants lie face down on the street where they almost block traffic on Boulevard St. Laurent and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each person chooses their own rhythm and intensity. The performance took place as part of the Suoni per il Popolo, at the Sala Rossa, June 9, 2008. Participants: Adam Bobbette, Gina Badger, Alexis Bellavance, Olivia Boudreau, Sophie B. Clément, Leanne Dyer, Nadège Grebmeier-Forget, Darsha Hewitt, Marc-Antoine K. Phaneuf, Fred Savard, Janice Wu.

Hit Parade (Quebec). For the third edition fourteen participants lie face down on the street where they occupy the atrium of the museum and proceed to pound the ground with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. The performance was part of C’est arrivé près de chez vous at the Musée National des Beaux-Arts du Québec (curator Nathalie de Blois), January 17, 2009. Participants: Carol-Ann Belzil-Normand, Wahmed Benyounes, Adam Bergeron, Edith Dufour, Martin Dufrasne, Caroline Gagné, Caroline Gauthier, Pascal Gingras, Jonathan Lamy, Josée Landry-Sirois, Pierre-Luc Lapointe, Christof Migone, Hugo Nadeau, Geraldine Perna.

Hit Parade (Dundee). For the fourth edition twelve participants lie face down on the street where they block foot traffic at the entrance of the DCA and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. The performance was part of Kill Your Timid Notion, Dundee Contemporary Arts (DCA), 21-28 February, 2010. Participants: Sinéad Bracken, Tara Chaloner, Liam Casey, Paul Gault, Sylvia Law, Eaun Lynch, Eilidh MacKay, Kristen Parker, Benjamin B. Parkes, Laurie Pit, Gillian M. Smith, Alison Tarry.

Hit Parade (Winnipeg). For the fifth edition fifteen participants lie face down on the street where they occupy a sidewalk and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. The performance was presented in part by Plug In for the Send+Receive Festival, October 7, 2011. Participants: Elise d’Awson, Heather Baril, Irene Bindi, Taylor Burgess, crys cole, Chantal Dupas, Angela Forget, Erica Jacobson, Cameron Johnson, Joe Kalturnyk, Les Klassen, Sandee Moore, Andrea Roberts, Josh Rose, Robert Taite.

Hit Parade (Porto). For the sixth edition twelve participants lie face down on the street where they occupy a city square and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. The performance was part of the Trama Festival. Performance took place on October 14, 2011. Participants: João Miguel Brojo, Diana Costa, Matilde Nicolau de Almeida, Sarah Klimsch, Fernando Sebastião Lalanda, Alícia Moreira, Cátia Neves, Ana Sofia Nico, Paulo Bruno Osório, Pedro Pereira, Ricardo Pereira, Felícia Teixeira.

Hit Parade (New York). For the seventh edition thirteen participants lie face down where they proceed to pound the ground with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every hundred of whatever length they wish. Presented as part of Arika’s programming for the Whitney Biennial titled A survey is a process of listening, May 3, 2012 at the Whitney Museum. Participants: Deboarah Aruta, Donna Blicharz, Robin Edgerton, Storm Garner, Dawn Kasper, Dages Keates, Seth Kim-Cohen, Jecca, Jeff Ladouceur, Sayhan Musaoglu, Christopher Ortiz, Meena Sajwani, Maya Winfrey.

Hit Parade (Toronto). For the eighth edition seventeen participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every hundred of whatever length they wish. Presented as part of the 7a*11d International Festival of Performance Art, October 27, 2012, in the lobby of the Ontario College of Art & Design (rain location). Participants: Sharlene Bamboat, Marc Couroux, Connor Crawford, Brian Da Silva, Francisco-Fernando Granados, Dorothea Hines, Reena Katz, Brianna MacLellan, Mitchell McGoey, Michelle D. Moreno, Faye Mullen, Stephen Parkinson, David Poolman, Eldritch Priest, Tasman Richardson, David Sutin, Jay Wilson.

Hit Parade (Rotterdam). For the ninth edition ten participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every hundred of whatever length they wish. Presented as part of the International Film Festival Rotterdam, part of the Signals: Sound Stages curated by Edwin Carels. Monday, January 28, 2013, at the Schouwburgplein. Participants: Barry Esson, Sato Endo, Tjyying Lui, Judith Vld Made, Kiki Petratou, Marcy Saude, Kate Taylor, LiChun Tseng, Janneke Van Der Putten, Marielle Verdijk.

Hit Parade (Kitchener). For the tenth edition fifteen participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every hundred of whatever length they wish. Presented at the Between the Ears portion of CAFKA.13, May 31, 2013, in Kitchener City Hall. Performers: Line Antonisen, Krista Blake, Richard Burrows, Adam Campbell, Vedran Dzebic, Michelle Hwu, David Jensenius, Sandro Manzon, Daniel Morphy, Mark Prier, Micheline Roi, Natalie Romano, Greg Samek, Ryan Scott, Stefan Serada.

Hit Parade (Milan). For the eleventh edition twelve participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. They take a pause at every ten for the first hundred, and then at every hundred, and just before reaching one thousand. The pause can be of whatever length they wish. Performance presented in the context of the Cildo Meireles exhibition titled Installation. The same evening featured Mark Fell’s Sky Dancers. Thursday July 10, 2014, at HangarBicocca in Milan, Italy.Participants: Najma Bader, Federico Crafa, Francesca Fedeli, Giulia Garofalo, Laura La Torraca, Sergio Messina, Nicola Mette, Federica Panelli, Davide Savorani, Olivia Strada, Simone Trabucchi, Stefano Zicchieri.

Hit Parade (Melbourne). For the twelfth edition thirty-nine participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. For the most part each performer chooses their own rhythm and intensity, but each performer is given a specific instruction. Performance presented by the Liquid Architecture Festival in the Great Hall of the National Gallery of Victoria on Sunday, September 28, 2014. Participants:Annabel Allen, Alan Bamford, France Barrett, Craig Bellamy, Gary Butler, Carmen Chan, J Chen, Rochelle Duke, Sarah Edwards, David Evans, Arie Glorie, Nathan Gray, Ceri Hann, Camilla Hannan, Kieran Hegarty, Jamie Helmer, Lloyd Honeybrook, Gemma Horbury, i’d m thfft able, Zoe Irving, Daniel Jenatsch, Amy-Jo Jory, Arvind Kumar, Anthony Magen, Kym Maxwell, Noah Maxwell, Andrew McDaddy, Adrian Meade, David Mutch, James Myers, James Parker, Helena Sandahl, Esther Tandi, Brett Thompson, Elizabeth Van Herwaarden, Jule Vincent, (and three missing names).

Hit Parade (Zagreb). For the thirteenth edition twenty-five participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. For the most part each performer chooses their own rhythm and intensity, but the performers inside the space moving progressively towards the center (while the six that were paired at each of the three entrances to the pavilion stayed put). Performance presented as part of the Expanded Cinema section of the 25fps festival, Zagreb, Croatia, September 27, 2015. Performers: Inesa Antic, Viktoria Babic, Oleg Beric, Daria Blazevic, Sonja Durajlija Zinic, Kaya Erdinç, Sanja Grbin, Ana Horvat, Lana Jastrevski, Viktoria Krcelic, Ejla Kovacevic, Lucija Mandekic, Jesse McLean, Matej Merlic, Mateja Milic, Ilija Milosevic, Layla Munitic, Ivan Renic, Julian Ross, Arron Santry, Tomislav Soban, Tina Tisljar, Iva Tkalec, Ivan Turkalj, Erwin van’t Hart.

Hit Parade (Cagliari). For the fourteenth edition twenty-two participants lie face down on the ground where they proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. Performers were solicited through an open call. Presented as part of Cagliari Capitale 2015 events, at the MEM – Mediateca del Mediterraneo in Cagliari, Sardinia, Italy, November 20, 2015. Performers: Serra Alessandra, Riccardo Angius, Campus Benedetta, Daniela Cascella, Giulia Casula, Andrea Cristina Ceccarelli, Gianluigi Concas, Mereu Federica, Sara Giglio, Roberto Manca, Beatrice Marci, Delia Meloni, Paola Mereu, Pilia Miriam, Cinzia Orru, Stefania Russo, Emanuela Russo, Giorgia Schirru, Stefania Scano, Pilia Simone, Pau Sonia, Maria Giovanna Tolu.

Hit Parade (Lausanne). For the fifteenth edition thirteen participants lie face down on the ground where they proceed to pound the floor of the Casino lobby with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. Performers were solicited through an open call. Presented as part of the Lausanne Underground Film Festival (LUFF), at the Casino de Montbenon, Lausanne, Switzerland, October 21, 2017. Performers: Laura Daengeli, Laurence Favez, Renata Gachoud, Christian Indermuhle, Stephane Kropf, Walter Mathias, Francisco Meirino, Hiroko Sato Pennec, Christine Ritter, Kazehito Seki, Graziella Torrigiani, Sébastien Vigne, Thibault Walter.

Hit Parade (Seoul2). For the sixteenth edition ten participants lie face down on the ground where they proceed to pound the floor of the gallery with the microphone one thousand times. The sound of each person’s actions is amplified. Each performer chooses their own rhythm and intensity. Performers were solicited through an open call. Presented as part of the group exhibition “Revolution Will Not Be Televised: Sound Effects Seoul 2017” curated by Baruch Gottlieb and Ji Yoon Yang, at the ArKO Museum, Seoul, South Korea, December 8, 2017. Performers: Yoon-Bin, Hyun Jin Choi, Yoon Joo Kang, Hye won Kim, Ji Hye Kim, Sol Mi Kim, Young eun Kim, Jungsuh Lim, Ji Won Park, Ji Yea Park.

 
SCORE – 7TH VERSION (LAUSANNE) 

VARIATIONS (REST SAME AS 3RD VERSION): One the same day as the performance, a two-hour workshop titled Open Mic was held. The workshop provided background on the performance and discussed the intent and structure at length. Five persons who attended also participated in Hit Parade. Those five were invited to suggest variations and collectively we decided on a number of ‘sanctioned’ gestures that could be activated for a grouping of 100 hits once in a while. These were: 1) standing up and letting the microphone fall and bounce off the floor, 2) rubbing the floor instead of hitting it, and 3) scraping the microphone head with your fingernail.

SCORE – 6TH VERSION (CAGLIARI) 

VARIATIONS (REST SAME AS 3RD VERSION):

FIRST AND LAST HUNDRED FOLLOW THE INSTRUCTIONS BELOW, OTHERWISE AT EVERY HUNDRED PERFORMER CAN CHANGE POSITION.

11 12 13 14 15 16 17 18 19 20 (PAUSE) (2 PERFORMERS DO HIT GESTURE WITHOUT HITTING)
21 22 23 24 25 26 27 28 29 30 (PAUSE) (2 MORE PERFORMERS DO HIT GESTURE WITHOUT HITTING, TOT. 4)
31 32 33 34 35 36 37 38 39 40 (PAUSE) (2 MORE PERFORMERS DO HIT GESTURE WITHOUT HITTING, TOT. 6)
41 42 43 44 45 46 47 48 49 50 (PAUSE) (2 MORE PERFORMERS DO HIT GESTURE WITHOUT HITTING, TOT. 8)
51 52 53 54 55 56 57 58 59 60 (PAUSE) (2 MORE PERFORMERS DO HIT GESTURE WITHOUT HITTING, TOT. 10)
61 62 63 64 65 66 67 68 69 70 (PAUSE) (2 MORE PERFORMERS DO HIT GESTURE WITHOUT HITTING, TOT. 12)
71 72 73 74 75 76 77 78 79 80 (PAUSE) (2 MORE PERFORMERS DO HIT GESTURE WITHOUT HITTING, TOT. 14)
81 82 83 84 85 86 87 88 89 90 (PAUSE) (2 MORE PERFORMERS DO HIT GESTURE WITHOUT HITTING, TOT. 16)
91 92 93 94 95 96 97 98 99 100(PAUSE) (ALL PERFORMERS HIT) (PERFORMERS CAN CHANGE POSITION)

901 902 903 904 905 906 907 908 909 910 (LIE ON BACK AND HIT WITH ARM EXTENDED BEHIND HEAD)
911 912 913 914 915 916 917 918 919 920 (LIE ON BACK AND HIT WITH ARM EXTENDED BESIDE HEAD)
921 922 923 924 925 926 927 928 929 930 (LIE ON BACK AND HIT WITH ARM EXTENDED BY HIP)
931 932 933 934 935 936 937 938 939 940 (LIE ON BACK AND HIT WITH ARM EXTENDED BEHIND HEAD)
941 942 943 944 945 946 947 948 949 950 (LIE ON BACK AND HIT WITH ARM EXTENDED BESIDE HEAD)
951 952 953 954 955 956 957 958 959 960 (LIE ON BACK AND HIT WITH ARM EXTENDED BY HIP)
961 962 963 964 965 966 967 968 969 970 (LIE ON BACK AND HIT WITH ARM EXTENDED BEHIND HEAD)
971 972 973 974 975 976 977 978 979 980 (LIE ON BACK AND HIT WITH ARM EXTENDED BESIDE HEAD)
981 982 983 984 985 986 987 988 989 990 (LIE ON BACK AND HIT WITH ARM EXTENDED BY HIP)
991 992 993 994 995 996 997 998 999 (LIE ON BACK AND HIT WITH ARM EXTENDED BEHIND HEAD)
(LONG PAUSE)
1000 (PERFORMERS LIE ON THEIR BACK, HOLD MIC TO MOUTH AND BREATHE UNTIL LAST PERFORMER IS FINISHED)

SCORE – 5TH VERSION (ZAGREB)

VARIATIONS (REST SAME AS 3RD VERSION):

AFTER EVERY 100 PERFORMERS INSIDE THE PAVILION MOVE TOWARDS THE CENTER.

 
SCORE – 4TH VERSION (MELBOURNE)

VARIATIONS (REST SAME AS 3RD VERSION):

INSTRUCTIONS FOR PERFORMER NO. 1: Hit as slow as possible for the first half and as fast as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 2: Hit as slow as possible for the first half and as fast as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 3: Hit as slow as possible for the first half and as fast as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 4: Hit as slow as possible for the first half and as fast as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 5: Hit as fast as possible for the first half and as slow as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 6: Hit as fast as possible for the first half and as slow as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 7: Hit as fast as possible for the first half and as slow as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 8: Hit as fast as possible for the first half and as slow as possible for the second.

INSTRUCTIONS FOR PERFORMER NO. 9: Make each pause twice as long as the last one.

INSTRUCTIONS FOR PERFORMER NO. 10: Make each pause twice as long as the last one.

INSTRUCTIONS FOR PERFORMER NO. 11: Make each pause twice as long as the last one.

INSTRUCTIONS FOR PERFORMER NO. 12: Make each pause twice as long as the last one.

INSTRUCTIONS FOR PERFORMER NO. 13: Alternate each section between pauses between hitting softly and hitting hard.

INSTRUCTIONS FOR PERFORMER NO. 14: Alternate each section between pauses between hitting softly and hitting hard.

INSTRUCTIONS FOR PERFORMER NO. 15: Alternate each section between pauses between hitting softly and hitting hard.

INSTRUCTIONS FOR PERFORMER NO. 16: Alternate each section between pauses between hitting softly and hitting hard.

INSTRUCTIONS FOR PERFORMER NO. 17: Hit increasingly fast and loud.

INSTRUCTIONS FOR PERFORMER NO. 18: Hit increasingly fast and loud.

INSTRUCTIONS FOR PERFORMER NO. 19: Start fast and loud, finish slow and quiet.

INSTRUCTIONS FOR PERFORMER NO. 20: Start fast and loud, finish slow and quiet.

INSTRUCTIONS FOR PERFORMER NO. 21: Start fast and loud, finish slow and quiet.

INSTRUCTIONS FOR PERFORMER NO. 22: Start fast and loud, finish slow and quiet.

INSTRUCTIONS FOR PERFORMER NO. 23: Try to finish first.

INSTRUCTIONS FOR PERFORMER NO. 24: Try to finish first.

INSTRUCTIONS FOR PERFORMER NO. 25: Try to finish first.

INSTRUCTIONS FOR PERFORMER NO. 26: Try to finish first.

INSTRUCTIONS FOR PERFORMER NO. 27: Try to finish last.

INSTRUCTIONS FOR PERFORMER NO. 28: Try to finish last.

INSTRUCTIONS FOR PERFORMER NO. 29: Try to finish last.

INSTRUCTIONS FOR PERFORMER NO. 30: Try to finish last.

INSTRUCTIONS FOR PERFORMER NO. 31: Ignore my instructions about pauses and take them whenever you feel like it.

INSTRUCTIONS FOR PERFORMER NO. 32: Ignore my instructions about pauses and take them whenever you feel like it.

INSTRUCTIONS FOR PERFORMER NO. 33: Don’t take any pauses.

INSTRUCTIONS FOR PERFORMER NO. 34: Don’t take any pauses.

INSTRUCTIONS FOR PERFORMER NO. 35: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 35: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 36: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 37: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 38: Make each hundred opposite of the preceding hundred (up to you to interpret).

INSTRUCTIONS FOR PERFORMER NO. 39: Within each block of one hundred ramp up and then down (could be in terms of speed or intensity or both).

INSTRUCTIONS FOR PERFORMER NO. 40: Within each block of one hundred ramp up and then down (could be in terms of speed or intensity or both).

INSTRUCTIONS FOR PERFORMER NO. 41: Within each block of one hundred ramp up and then down (could be in terms of speed or intensity or both).

INSTRUCTIONS FOR PERFORMER NO. 42: Within each block of one hundred ramp up and then down (could be in terms of speed or intensity or both).

INSTRUCTIONS FOR PERFORMER NO. 43: Follow the score and nothing more.

INSTRUCTIONS FOR PERFORMER NO. 44: Follow the score and nothing more.

INSTRUCTIONS FOR PERFORMER NO. 45: Follow the score and nothing more.

INSTRUCTIONS FOR PERFORMER NO. 46: Follow the score and nothing more.

INSTRUCTIONS FOR PERFORMER NO. 47: Hit hesitantly sometimes.

INSTRUCTIONS FOR PERFORMER NO. 48: Hit hesitantly sometimes.

INSTRUCTIONS FOR PERFORMER NO. 49: Take longer than others to start.

INSTRUCTIONS FOR PERFORMER NO. 50: Take longer than others to start.

SCORE – 3RD VERSION (MILAN)

1 2 3 4 5 6 7 8 9 10 (pause)

11 12 13 14 15 16 17 18 19 20 (pause)

21 22 23 24 25 26 27 28 29 30 (pause)

31 32 33 34 35 36 37 38 39 40 (pause)

41 42 43 44 45 46 47 48 49 50 (pause)

51 52 53 54 55 56 57 58 59 60 (pause)

61 62 63 64 65 66 67 68 69 70 (pause)

71 72 73 74 75 76 77 78 79 80 (pause)

81 82 83 84 85 86 87 88 89 90 (pause)

91 92 93 94 95 96 97 98 99 100 (pause)

101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 (pause)

201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 (pause)

301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 (pause)

401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 (pause)

501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 (pause)

601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 (pause)

701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 (pause)

801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 (pause)

901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974 975 976 977 978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 998 999 (pause)

1000

SCORE – 2ND VERSION (NEW YORK, TORONTO, ROTTERDAM, KITCHENER)

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 (pause)

101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 (pause)

201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 (pause)

301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 (pause)

401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 (pause)

500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 (pause)

601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 (pause)

701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 (pause)

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SCORE – 1ST VERSION (SEOUL, MONTREAL, QUEBEC, DUNDEE, WINNIPEG, PORTO)

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